JahrbuchQuelle & Meyer, 1978 |
From inside the book
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Page 79
... first staged in 1589. Of course , the speeches spoken by Hamlet and the First Player are not taken from Dido ; they were composed by Shakespeare in a deliberately archaic style , perhaps intended to be reminiscent of Mar- lowe's tragedy ...
... first staged in 1589. Of course , the speeches spoken by Hamlet and the First Player are not taken from Dido ; they were composed by Shakespeare in a deliberately archaic style , perhaps intended to be reminiscent of Mar- lowe's tragedy ...
Page 88
... First Player to recite the speech ; and it is done so skilfully , that not only the spectators ( Polonius and Hamlet ) but also the First Player himself are visibly moved . This evidence of the impact of good drama on an audience ...
... First Player to recite the speech ; and it is done so skilfully , that not only the spectators ( Polonius and Hamlet ) but also the First Player himself are visibly moved . This evidence of the impact of good drama on an audience ...
Page 204
... First of all , what kind of play would they have thought Measure for Measure to be ? Not , even if they had known the term , a ' problem play ' , as many modern commentators feel it to be - that is , accepting Ernest Schanzer's ...
... First of all , what kind of play would they have thought Measure for Measure to be ? Not , even if they had known the term , a ' problem play ' , as many modern commentators feel it to be - that is , accepting Ernest Schanzer's ...
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Angelo Asplund audience Aufführung beiden besonders bewußt Bild Bochum Bühne Charakter Claudio Claudius Closet Scene Davenant death deutsch Deutsche Shakespeare-Gesellschaft Dietrich Haugk Drama Duke Elizabethan Engl englischen Erstbelege ersten Erzgräber Figuren Film first Fortinbras Frankfurt Geist Gertrude Gildon Guildenstern Hamlet Hamlet-Interpretationen Hamlet's Handlung Hans Hollmann heißt Herzog historisch Horatio hrsg Inszenierung Interpretation Isabella Jan Kott John King King Lear Kommentar Komödie König Kosinzew Kritik Laertes läßt Lear lich London Macbeth make Maß für Maß Measure for Measure Monolog muß neue New York Olivier Ophelia Othello Passage Peter Peter Zadek play Plays Polonius Priam Publikum Pyrrhus Recht Regie Renaissance repr Rolle Romeo Romeo und Julia Rosencrantz s. o. Anm Salzburg Schauspieler Schlegel schließlich Schluß Sh.s Shake Shakespeare Shakespeare's Shakespeareschen ShJW Sinn Sommernachtstraum speare Spiel im Spiel Stelle Stoppard Stück Studies Szene Text Theater Tragödie unserer William William Shakespeare Wolfgang Clemen Works Wort Zadek Zeitung Zuschauer