The Cambridge Companion to the Beats

Front Cover
Steven Belletto
Cambridge University Press, Feb 6, 2017 - Literary Criticism - 332 pages
The Cambridge Companion to the Beats offers an in-depth overview of one of the most innovative and popular literary periods in America, the Beat era. The Beats were a literary and cultural phenomenon originating in New York City in the 1940s that reached worldwide significance. Although its most well-known figures are Jack Kerouac, Allen Ginsberg, and William S. Burroughs, the Beat movement radiates out to encompass a rich diversity of figures and texts that merit further study. Consummate innovators, the Beats had a profound effect not only on the direction of American literature, but also on models of socio-political critique that would become more widespread in the 1960s and beyond. Bringing together the most influential Beat scholars writing today, this Companion provides a comprehensive exploration of the Beat movement, asking critical questions about its associated figures and arguing for their importance to postwar American letters.

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About the author (2017)

Steven Belletto is Associate Professor of English at Lafayette College, Pennsylvania. He is author of No Accident, Comrade: Chance and Design in Cold War American Narratives (2012), co-editor of American Literature and Culture in an Age of Cold War: A Critical Reassessment (2012) and editor of the volume American Literature in Transition, 1950-1960 (Cambridge, forthcoming). He is also the author of numerous articles on post-1945 American literature and culture that have appeared in journals such as American Literature, American Quarterly, ELH, and Twentieth-Century Literature. From 2011 to 2016 he was Associate Editor for the journal Contemporary Literature, for which he is currently co-editor.

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