Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer |
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Page 90
... Olivia and Orsino are both ' actors ' , self - consciously fostering roles of lover and beloved which are ... Olivia's identity as the cold beloved , and vice versa , in a reciprocal movement of negative and positive creation . Viola is ...
... Olivia and Orsino are both ' actors ' , self - consciously fostering roles of lover and beloved which are ... Olivia's identity as the cold beloved , and vice versa , in a reciprocal movement of negative and positive creation . Viola is ...
Page 91
... Olivia's face she is told that she is ' now out of ( her ) text ' ; the face which is then shown is equally a ... Olivia is the creation in Olivia of a reality – her love for Viola - which breaks beyond the illusion and yet is similarly ...
... Olivia's face she is told that she is ' now out of ( her ) text ' ; the face which is then shown is equally a ... Olivia is the creation in Olivia of a reality – her love for Viola - which breaks beyond the illusion and yet is similarly ...
Page 95
... Olivia Clown Take the fool away . Do you not hear , fellows ? Take away the lady ... The lady bade take away the fool ; therefore , I say again , take her away . ( I.v ) The Clown goes on to justify ' fool ' as a judgement on Olivia ...
... Olivia Clown Take the fool away . Do you not hear , fellows ? Take away the lady ... The lady bade take away the fool ; therefore , I say again , take her away . ( I.v ) The Clown goes on to justify ' fool ' as a judgement on Olivia ...
Contents
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Copyright | |
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action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words