Keyboard Music Before 1700Alexander Silbiger Keyboard Music Before 1700 begins with an overview of the development of keyboard music in Europe. Then, individual chapters by noted authorities in the field cover the key composers and repertory before 1700 in England, France, Germany and the Netherlands, Italy, and Spain and Portugal. The book concludes with a chapter on performance practice, which addresses current issues in the interpretation and revival of this music. |
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appear bass beginning Book Byrd canzonas chant church close collection common composers composition contains continued dance developed earlier early edition English evidence EXAMPLE figuration final fingering four French Frescobaldi fugue genre German gives hand harpsichord imitation important indicate instruments interest introduction Italian Italy keyboard music keys later less literature liturgical London major manuscript mass measures melody minor motives movements notation notes opening organ organ music organist original ornaments particularly pavan performance perhaps period pieces pitch played player practice preludes present printed publication published recent remains repeated repertory rhythmic ricercars seems seventeenth century short similar single sixteenth solo sometimes soprano sources specific strain style suggest suites tablature texture theme third tientos toccatas tradition tunes usually variation versets vocal voices vols volumes writing