The Works of William Shakespeare, Volume 8Blackie, 1890 |
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... speech . " According to another report he was a country schoolmaster , and Malone has argued from Shakespeare's fre- quent and exact use of law - terms that most probably he was for two or three years in the office of a Stratford ...
... speech . " According to another report he was a country schoolmaster , and Malone has argued from Shakespeare's fre- quent and exact use of law - terms that most probably he was for two or three years in the office of a Stratford ...
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... speech - making , he studied the links and transitions of the dramatic events , he came to see how these should be manipulated , he learned how to develop a dramatic character , how to regulate imagery and diction so that they should ...
... speech - making , he studied the links and transitions of the dramatic events , he came to see how these should be manipulated , he learned how to develop a dramatic character , how to regulate imagery and diction so that they should ...
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... speeches , appeared in the same year ( 1597 ) . In 1598 King Henry IV . and the revised version of Love's Labour's Lost were published . Hardly a year , indeed , passed from this date until that of Shakespeare's death without the ...
... speeches , appeared in the same year ( 1597 ) . In 1598 King Henry IV . and the revised version of Love's Labour's Lost were published . Hardly a year , indeed , passed from this date until that of Shakespeare's death without the ...
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... speeches for his two chief personages in that style of high - wrought fantasy which was the fashion of the time . He succeeded in his endeavour , and the poem delighted a generation of young readers . But the Venus and Adonis has all ...
... speeches for his two chief personages in that style of high - wrought fantasy which was the fashion of the time . He succeeded in his endeavour , and the poem delighted a generation of young readers . But the Venus and Adonis has all ...
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... speech become one or something rarer than either is born of the two . The play has no secondary action ; our interest from first to last is centred upon the star - crossed lovers . Varying from his original , Shakespeare has accelerated ...
... speech become one or something rarer than either is born of the two . The play has no secondary action ; our interest from first to last is centred upon the star - crossed lovers . Varying from his original , Shakespeare has accelerated ...
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