The Cambridge History of American Literature: Volume 7, Prose Writing, 1940-1990

Front Cover
Sacvan Bercovitch, Cyrus R. K. Patell
Cambridge University Press, 1994 - Literary Criticism - 800 pages
Volume VII of the Cambridge History of American Literature examines a broad range of American literature of the past half-century, revealing complex relations to changes in society. Christopher Bigsby discusses American dramatists from Tennessee Williams to August Wilson, showing how innovations in theatre anticipated a world of emerging countercultures and provided America with an alternative view of contemporary life. Morris Dickstein describes the condition of rebellion in fiction from 1940 to 1970, linking writers as diverse as James Baldwin and John Updike. John Burt examines writers of the American South, describing the tensions between modernization and continued entanglements with the past. Wendy Steiner examines the postmodern fictions since 1970, and shows how the questioning of artistic assumptions has broadened the canon of American literature. Finally, Cyrus Patell highlights the voices of Native American, Asian American, Chicano, gay and lesbian writers, often marginalized but here discussed within and against a broad set of national traditions.
 

Contents

Introduction
3
Tennessee Williams
10
Arthur Miller
20
Edward Albee
44
Sam Shepard
52
David Mamet
65
Changing America A Changing Drama?
76
FICTION AND SOCIETY 19401970
101
Reynolds Price
405
Peter Taylor
421
POSTMODERN FICTIONS 19601990
425
Rethinking Postmodernism
427
Fables of the Fetish
451
The End of Traditionalism
479
Womens Fiction The Rewriting of History
499
Conclusion
528

War and the Novel From World II to Vietnam
103
The New Fiction From the Home Front to the 1950s
135
On and Off the Road The Outsider as Young Rebel
165
Apocalypse Now A Literature of Extremes
224
AFTER THE SOUTHERN RENASCENCE
311
Introduction
313
Robert Penn Warren
320
Carson McCullers
342
Flannery OConnor
347
Eudora Welty
356
Novels of Race and Class
367
Novels of Slavery and Reconstruction
375
Walker Percy
392
EMERGENT LITERATURES
539
From Marginal to Emergent
541
Comparative Racism and the Logic of Naturalization
564
Nisei Sons and Daughters
588
Legacies of the Sixties
611
Refusing to Go Straight
651
Beyond Hybridity
667
Biographies
672
Chronology 19401990
713
Bibliography
759
Index
771
Copyright

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About the author (1994)

Sacvan Bercovitch, who is a professor at Harvard University, is probably the most influential critic in American studies today. Tracing the function of rhetoric in American writing from the Puritans through the nineteenth century, Bercovitch has argued that the persuasiveness of rhetoric is in proportion to its capacity to help people act in history. In his books, Bercovitch has revealed the power of American rhetoric as it creates a myth of America that conflates religious and political issues, transforming even the most despairing and critical energies into affirmations of the American way. Among his major arguments is the idea that the rhetoric of America's colonial sermons and histories, founding documents, such as the Declaration of Independence, and novels of the American Renaissance, all participate in the project of transforming what he calls dissensus into rituals of consensus.