Deconstructing Macbeth: The Hyperontological ViewMacbeth is discussed in relation to Derrida's notion of the metaphysics of presence. Fawkner argues that the quest for metaphysical certitude in Macbeth is related to the hero's transformation from a heroic to a post-heroic status. |
From inside the book
Page 237
... Shakespeare . Oxford : Clarendon Press , 1933 . Adams , Hazard . Philosophy of the Literary Symbolic . Tallahassee ... William A. Shakespeare's Typology : Miracles and Morality Motifs in Macbeth . London : Westfield College , 1968 ...
... Shakespeare . Oxford : Clarendon Press , 1933 . Adams , Hazard . Philosophy of the Literary Symbolic . Tallahassee ... William A. Shakespeare's Typology : Miracles and Morality Motifs in Macbeth . London : Westfield College , 1968 ...
Page 242
The Hyperontological View Harald William Fawkner. Dillon , Janette . Shakespeare and the Solitary Man . London : Macmillan , 1981 . Doran , Madeleine . Endeavors of Art : A Study of Form in Elizabethan Drama . Madison : University of ...
The Hyperontological View Harald William Fawkner. Dillon , Janette . Shakespeare and the Solitary Man . London : Macmillan , 1981 . Doran , Madeleine . Endeavors of Art : A Study of Form in Elizabethan Drama . Madison : University of ...
Page 245
The Hyperontological View Harald William Fawkner. Greer , Germaine . Shakespeare . Oxford and New York : Oxford University Press , 1986 . Greg , W. W. " Principles of Emendation in Shakespeare . " In Aspects of Shake- speare . Oxford ...
The Hyperontological View Harald William Fawkner. Greer , Germaine . Shakespeare . Oxford and New York : Oxford University Press , 1986 . Greg , W. W. " Principles of Emendation in Shakespeare . " In Aspects of Shake- speare . Oxford ...
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Common terms and phrases
absence action affirmation already appearing argued Banquo becomes beginning character clear comes completely course created critical death deconstruction Derrida desire dialectical discourse discussed dramatic Duncan empirical engage entire equivocation excess fact fear feel fighting final forces gives hand hero heroic horror human Ibid idea imaginative important inside interesting John Dover Wilson kind Lady Macbeth language linguistic logical London look master meaning metaphysical mind moral move murder never notion object once ontological opening opposite organized original philosophical play political possibility precisely presence produced pure question reading reality reference relation scene seems self-presence sense Shakespeare signifying simply Sisters situation soliloquy sovereign space speaking stage structure struggle suggestion theory things thought tion Tragedy tragic Truth turn unit University Press vanishing wants Weird writing York