The Grammar of Conducting: A Practical Study of Modern Baton Technique |
Contents
INTRODUCTION I | 1 |
tern 4beat the preparatory beat at the start applying | 13 |
ACCENTS AND SYNCOPATION | 20 |
THE ESPRESSIVOLEGATO PATTERN 4BEAT | 24 |
CHANGES OF RHYTHM AND TEMPO | 28 |
STARTING ON OTHER COUNTS | 31 |
THE 3BEAT | 40 |
SUDDEN CHANGES OF DYNAMICS | 52 |
RESTS | 135 |
190 | 137 |
RITARDANDO AND ACCELERANDO | 144 |
216 | 151 |
THE TENUTO PATTERN | 158 |
229 | 163 |
246 | 175 |
301 | 199 |
CRESCENDO AND DECRESCENDO | 58 |
FACING THE ORCHESTRA | 66 |
THE 1BEAT | 83 |
Discussion of Complete Works or Movements | 89 |
THE MARCATO PATTERN | 91 |
START AFTER THE COUNT | 98 |
THE 6BEAT | 107 |
SUBDIVISION | 120 |
314 | 206 |
NUMBER OF BEATS IN A MEASURE | 245 |
Johann Sebastian Bach Air from Suite No 3 in D major | 332 |
Ludwig van Beethoven Overture to Egmont | 339 |
Claude Debussy Fêtes Festivals No 2 from | 347 |
Ruggiero Leoncavallo Prologue to Pagliacci | 354 |
Copyright | |
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The Grammar of Conducting: A Practical Study of Modern Baton Technique Max Rudolf No preview available - 1950 |