Divided Fictions: Fanny Burney and Feminine Strategy

accept affection appearances attempts audience authority become behavior Belfield Burney Burney's Camilla Cecilia century character clothes contradiction conventional course cultural danger defined Delvile desire domestic dress Duval economic eighteenth eighteenth-century emotional employments Evelina expectations experience exposes expresses Fanny fashionable father fear feelings female feminine fiction finally finds future gain give hand happiness heroine heroine's hope human husband identity ideological implicit Juliet Lady least leaving less Letters limits lives London Lord male manipulation marriage maturity means middle-class mind Mirvan misogyny moral nature novel object occupations Orville play pleasure plot position possibilities powerlessness protection readers reading reflects relation response reveals role romantic love seems sense sexual social society specific success suggests tion turn Villars weakness wish woman women writing young women