From Afro-Cuban Rhythms to Latin JazzThis book explores the complexity of Cuban dance music and the webs that connect it, musically and historically, to other Caribbean music, to salsa, and to Latin Jazz. Establishing a scholarly foundation for the study of this music, Raul A. Fernandez introduces a set of terms, definitions, and empirical information that allow for a broader, more informed discussion. He presents fascinating musical biographies of prominent performers Cachao López, Mongo Santamaría, Armando Peraza, Patato Valdés, Francisco Aguabella, Cándido Camero, Chocolate Armenteros, and Celia Cruz. Based on interviews that the author conducted over a nine-year period, these profiles provide in-depth assessments of the musicians’ substantial contributions to both Afro-Cuban music and Latin Jazz. In addition, Fernandez examines the links between Cuban music and other Caribbean musics; analyzes the musical and poetic foundations of the Cuban son form; addresses the salsa phenomenon; and develops the aesthetic construct of sabor, central to Cuban music. Copub: Center for Black Music Research |
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Common terms and phrases
accompanied activities African Afro-Cuban Aguabella album appeared areas Armando Peraza Arsenio Rodríguez artists audiences band bass became become began Beny bongos brought Cachao called Cándido Caribbean Carlos Celia Cruz century chapter Chocolate City clave Colombia composer conga conga drum Conjunto continued countries Cuba Cuban music Cuban musicians Cuban popular cultural dance dancers danzón decades drummer drums early ensemble example famed first folkloric forms Francisco genre Havana important included interest interview island joined known late later Latin American Latin American Music Latin jazz leading live López mambo melodies Mexico Mongo Mongo Santamaría musicians orchestra origin Patato percussion percussionist performance period played player popular music produced Puerto Rico radio recorded rhythm rhythmic rumba salsa singer Social songs Sonora Matancera sound Spanish styles success throughout tion took tour traditions traveled tres trumpet tunes United Valdés visited vocalist York
Popular passages
Page 18 - Pacini explained at the time, "these categories — romantic and dance music — are more significant in Latin America than in the Anglo-American context. Rock music, for example, is not clearly defined as dance music, nor is it contrasted with a separate category of romantic music. In Latin America, however, these two quite distinct categories form a complementary pair, each fulfilling a different requirement in a musical event, whether it be public or private.
Bibliographic information
| Title | From Afro-Cuban Rhythms to Latin Jazz Volume 10 of Music of the African Diaspora |
| Author | Raul A. Fernandez |
| Publisher | University of California Press, 2006 |
| ISBN | 0520939441, 9780520939448 |
| Length | 215 pages |
| Subjects | › › Music / Genres & Styles / Jazz Music / Genres & Styles / Pop Vocal |
| Export Citation | BiBTeX EndNote RefMan |