The comedies of The Merchant of Venice, and As you like it, with the notes and illustr. of various commentators and remarks by the editor [A. Eccles] in two volumes |
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Page 14
3 Gratiano speaks an infinite deal of nothing , ] This is a description of a very
common character in life ; though I think not fairly applicable to the person who
was capable of making the speech just before ? delivered by him . Mrs . Griffith .
3 Gratiano speaks an infinite deal of nothing , ] This is a description of a very
common character in life ; though I think not fairly applicable to the person who
was capable of making the speech just before ? delivered by him . Mrs . Griffith .
Page 43
The evi . dent meaning is , “ when did one friend take a breed “ for barren metal of
another ? ” Now , though friendship might , not inelegantly , be put to denote a
person professing friendship , yet the association of two terms , so distinct in their
...
The evi . dent meaning is , “ when did one friend take a breed “ for barren metal of
another ? ” Now , though friendship might , not inelegantly , be put to denote a
person professing friendship , yet the association of two terms , so distinct in their
...
Page 148
This person is considered by Mr . Capell as the same with Salarino , or Salerino (
as he spells his name ) which being here abridged , is made Salerio : Mr .
Steevens conceives the latter to be a different person , who in the quarto is , in
this part ...
This person is considered by Mr . Capell as the same with Salarino , or Salerino (
as he spells his name ) which being here abridged , is made Salerio : Mr .
Steevens conceives the latter to be a different person , who in the quarto is , in
this part ...
Page 183
The true meaning undoubtedly is - The masters of passion , that is , such as are
possessed of the art of engaging and managing the human passions , influence
them by a skilful application to the parti . cular likings or loathings of the person ...
The true meaning undoubtedly is - The masters of passion , that is , such as are
possessed of the art of engaging and managing the human passions , influence
them by a skilful application to the parti . cular likings or loathings of the person ...
Page 325
He therefore gave a hundred gold dinars into the hand of a trusty person , and
sent him home to give it to the Jew . But the people of his own house , being
without money , spent it in maintaining themselves . When he returned from his
journey ...
He therefore gave a hundred gold dinars into the hand of a trusty person , and
sent him home to give it to the Jew . But the people of his own house , being
without money , spent it in maintaining themselves . When he returned from his
journey ...
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Common terms and phrases
affection Ansaldo answer Anth Anthonio appears Bass Bassanio believe Belmont bond called CAPELL choose Christian considered copies desire doth ducats Duke editions editors Enter expression eyes fair father fear flesh folio former fortune Giannetto give hand hath head hear heart Italy Jessica Johnson judge kind king lady Laun Launcelot leave less letter live look lord Lorenzo MALONE manner master means merchant mind nature never night observes offer passage passion perhaps person play poet Portia pound pray present probably quarto reading reason render respect ring says Scene seems sense Shakspeare ship Shylock soul speak speech spirit stand STEEVENS supposed sweet taken tell thee thing thou thought thousand told true unto Venice young
Popular passages
Page 14 - Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff : you shall seek all day ere you find them, and when you have them, they are not worth the search.
Page 32 - How like a fawning publican he looks ! I hate him for he is a Christian ; But more for that in low simplicity He lends out money gratis, and brings down The rate of usance here with us in Venice. If I can catch him once upon the hip, I will feed fat the ancient grudge I bear him.
Page 10 - Let me play the fool : With mirth and laughter let old wrinkles come ; And let my liver rather heat with wine Than my heart cool with mortifying groans. Why should a man whose blood is warm within Sit like his grandsire cut in alabaster...
Page 230 - How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines...
Page 235 - Which is the hot condition of their blood; If they but hear perchance a trumpet sound, Or any air of music touch their ears, You shall perceive them make a mutual stand, Their savage eyes turn'd to a modest gaze, By the sweet power of music : Therefore, the poet Did feign that Orpheus drew trees, stones, and floods ; Since nought so stockish, hard, and full of rage, But music for the time doth change his nature...
Page 144 - Happy in this, she is not yet so old But she may learn; happier than this, She is not bred so dull but she can learn ; Happiest of all is, that her gentle spirit Commits itself to yours to be directed, As from her lord, her governor, her king.
Page 204 - It must not be ; there is no power in Venice Can alter a decree established : 'Twill be recorded for a precedent, And many an error, by the same example, Will rush into the state: it cannot be.
Page 238 - So doth the greater glory dim the less: A substitute shines brightly as a king. Until a king be by, and then his state Empties itself, as doth an inland brook Into the main of waters.
Page 32 - I will buy with you, sell with you, talk with you, walk with you, and so following; but I will not eat with you, drink with you, nor pray with you.
Page 225 - In such a night, Did Jessica steal from the wealthy Jew : And with an unthrift love did run from Venice, As far as Belmont. Jes. And in such a night...
Bibliographic information
| Title | The comedies of The Merchant of Venice, and As you like it, with the notes and illustr. of various commentators and remarks by the editor [A. Eccles] in two volumes |
| Author | William Shakespeare |
| Editor | Ambrose Eccles |
| Published | 1805 |
| Original from | Oxford University |
| Digitized | 12 Sep 2007 |
| Export Citation | BiBTeX EndNote RefMan |