Ways of Seeing: Based on the BBC Television Series“The relation between what we see and what we know is never settled” -- so opens John Berger’s revolutionary million-copy bestseller on how to look at art John Berger's Ways of Seeing is one of the most stimulating and the most influential books on art in any language. First published in 1972, it was based on the BBC television series about which the Sunday Times critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings . . . he will almost certainly change the way you look at pictures." By now he has. |
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Page 10
... photograph . For photographs are not , as is often assumed , a mechanical record . Every time we look at a photograph , we are aware , however slightly , of the photographer selecting that sight from an infinity of other possible sights ...
... photograph . For photographs are not , as is often assumed , a mechanical record . Every time we look at a photograph , we are aware , however slightly , of the photographer selecting that sight from an infinity of other possible sights ...
Page 153
... photographs , the events were tragic and distant . But the contrast would have been no less stark if they had been events near at hand in Derry or Birmingham . Nor is the contrast necessarily dependent upon the events being tragic . If ...
... photographs , the events were tragic and distant . But the contrast would have been no less stark if they had been events near at hand in Derry or Birmingham . Nor is the contrast necessarily dependent upon the events being tragic . If ...
Page 164
... photograph 126 ( top ) Les Romains de la Decadence by Thomas Couture , 1815-79 126 ( bottom left ) Madame Cahen d'Anvers by L. Bonnat 126 ( bottom right ) The Ondine of Nidden by E. Doerstling 127 ( top right ) The Temptation of St ...
... photograph 126 ( top ) Les Romains de la Decadence by Thomas Couture , 1815-79 126 ( bottom left ) Madame Cahen d'Anvers by L. Bonnat 126 ( bottom right ) The Ondine of Nidden by E. Doerstling 127 ( top right ) The Temptation of St ...
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ambassadors Art Gallery artists authority badedas Barclaycard become bottom left camera century continually contradiction contrast Cooltan culture Cupid depicted Edouard Manet envy essays European oil painting everything experience expression Frans Hals Frans Hals Museum Gainsborough Glamour imagine Judgement of Paris Key of Dreams Kunsthistorisches Museum landscape Leonardo da Vinci lives London look Louvre magazine MAGDALEN Magritte meaning MEN'S ALMS HOUSE Morny Soap Musée mystery mystification naked nakedness National Gallery never Nikolaus Pevsner nude object offers oil painting OLD MEN'S ALMS original painter past Penguin Books photographs picture Pieter pleasure portrait present publicity image relation Rembrandt Rembrandt van Ryn Renaissance René Magritte reproduction Rocks by Leonardo Rubens Scottish Amicable seen sense sexual sight social spectator spectator-buyer spectator-owner surrounded Susannah Tate Gallery things top left top right tradition of oil unique Venus Virgin visible visual Wallace Collection woman women write to Penguin