Mimic Life: Or, Before and Behind the Curtain. A Series of Narratives |
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Page xi
... Manner . Performance of Her Edwin Hamlet . Stella's Unusual Conduct behind the Scenes . Interview with Mr. Martin in the Green - Room . - A Change in Fisk . Stella's Personation of Ophelia Painfully Real . Ophelia's Distribution of the ...
... Manner . Performance of Her Edwin Hamlet . Stella's Unusual Conduct behind the Scenes . Interview with Mr. Martin in the Green - Room . - A Change in Fisk . Stella's Personation of Ophelia Painfully Real . Ophelia's Distribution of the ...
Page 11
... manner with which they examined the objects of vertu which had been so highly valued by their owners the gifts , perchance , of dear friends , the prized mementos of happy hours . She brushed away a troublesome tear , and hurried up the ...
... manner with which they examined the objects of vertu which had been so highly valued by their owners the gifts , perchance , of dear friends , the prized mementos of happy hours . She brushed away a troublesome tear , and hurried up the ...
Page 19
... manners . Too courteous to be positively blunt , he notwithstanding often spoke truths to his best friends that lacked gentleness . Beneath the dignified reticence , which was some- times mistaken for coldness or pride , there flowed a ...
... manners . Too courteous to be positively blunt , he notwithstanding often spoke truths to his best friends that lacked gentleness . Beneath the dignified reticence , which was some- times mistaken for coldness or pride , there flowed a ...
Page 20
... manners , mild and ladylike in person , Mrs. Oakland exemplified the beauty of that most lovable and womanly trait , the power of appreciating others of drawing forth their finest qualities , without the desire to shine herself . She ...
... manners , mild and ladylike in person , Mrs. Oakland exemplified the beauty of that most lovable and womanly trait , the power of appreciating others of drawing forth their finest qualities , without the desire to shine herself . She ...
Page 21
... manner to the stage , instruction would almost be an act of supereroga- tion . But you do not know the difficulty of repre- senting in public that which is easy to feel , or to simulate , in private . A thousand obstacles- " Stella ...
... manner to the stage , instruction would almost be an act of supereroga- tion . But you do not know the difficulty of repre- senting in public that which is easy to feel , or to simulate , in private . A thousand obstacles- " Stella ...
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Common terms and phrases
50 cents actors actress Albert Allsop Altorf appeared Ariel arms asked audience Belton called child countenance curtain curtsey daugh daughter dear débût Desdemona door dramatic dress ears Edmonton Elma Elma's entered Evadne exclaimed eyes face Fairfax father fear Fisk flowers Floy Gesler Gisippus green-room hand head heart Heaven Higgins hour Hubert Iago Icilius Juliet lady laugh lifted light lips look Lord Oranmore Mattie mind Miss Amory Miss Doran Miss Rosenvelt morning Mortimer Mortimer's mother never night novice Oakland Othello pantomime passed Percy Perdita person play POEMS Pottle Price 75 cents prompter rehearsal replied returned Robin Rolla rose Ruthven scene seat seemed smile soul spirit stage Stella stood Susan sweet Tennent theatre theatrical thee thought Tina Tina's tion tone tragedian Truehart turned uncon uttered Virginia voice walked watch whispered wings words young girl
Popular passages
Page 309 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form ; Then have I reason to be fond of grief.
Page 184 - He is dead and gone, lady, He is dead and gone, At his head a grass-green turf, At his heels a stone.
Page 41 - Be not too tame neither, but let your own discretion be your tutor: suit the action to the word, the word to the action; with this special observance, that you o'erstep not the modesty of nature; for anything so overdone is from the purpose of playing, whose end both at the first, and now, was and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
Page 185 - There's fennel for you, and columbines; there's rue for you; and here's some for me; we may call it herb of grace o' Sundays. O, you must wear your rue with a difference. There's a daisy; I would give you some violets, but they withered all when my father died.
Page 186 - And will he not come again? And will he not come again? No, no, he is dead; Go to thy death-bed, He never will come again. His beard was as white as snow All flaxen was his poll, He is gone, he is gone, And we cast away moan: God ha
Page 259 - Only for wantonness. By my Christendom, So I were out of prison, and kept sheep, I should be as merry as the day is long...
Page 281 - Full fathom five thy father lies, Of his bones are coral made : Those are pearls that were his eyes, Nothing of him that doth fade, But doth suffer a sea change, Into something rich and strange.
Page 21 - Happy in this, she is not yet so old But she may learn; happier than this, She is not bred so dull but she can learn; Happiest of all in that her gentle spirit Commits itself to yours to be directed, As from her lord, her governor, her king.
Page 351 - What is a man, If his chief good and market of his time Be but to sleep and feed? a beast, no more. Sure he that made us with such large discourse, Looking before and after, gave us not That capability and god-like reason To fust in us unus'd.
Page 122 - To a babbling wanderer sent ; Like her ordinary cry, Like, but oh, how different ! Hears not also mortal life ? Hear not we, unthinking creatures ! Slaves of folly, love, or strife, Voices of two different natures...