Masters of the ConfluenceIn colonial Africa, the prevalent justice systems leave much to be desired. Retribution was brutal, heavy and swift. The ruling elite used slavery and death to keep the citizenry on a pretty tight leash. Nigeria was no different. From the meanders and tributaries of the Niger delta, criminals were sent to the mythical labyrinths of Arochukwu, killed or worse, shipped abroad. Established empires flourished, enriching themselves on other people's freedom, or lack of it. No one dared deny or question their status-quo. This 19th century story takes Onitsha on the quest to re-habilitate his royal bloodline in the eyes of their children. They take us through wars, the slave trade and romance; but caught in the middle, as always, are women and children. Anashi struggles to keep her dignity by fending off the two love-struck cousins who must kill each other to possess her. From the author of "Drums That Dance In The Dark," Nduka Onwuegbute's "Masters of the Confluence" is a brutal revelation of man's quest to regain political voice. |
Common terms and phrases
Aboh Akuma Alabo Anashi bamboo birth Bloomingback boulder breath breeched brothel calabash calm chiefdom contractions cord council crickets deep door Egurugwu heard Egurugwu looked Eso's Etu'wa eyes father feel felt feral queen fish foetus girl going hand happen happy head hear heard Ngozi's human voices husband husband’s wife insisted journey south kick knew labour legs Listen living luck marriage married massage matter midwife moon Moremi mother taught neck never Ngozi Ngozi's drum night Nnam Nnechi asked Nwaka Obidike Okeke Onitsha Onitsha's wife Orie Orie's Osha pain palace passage picked pregnant princess push red oil refused to pay returned river screaming sister sisters-in-marriage six stones smiled staccato stomach stopped moving story struggle tell thing three villages took turn the baby unborn child Uzo'ma Uzo'ma's drum voice wait waters Wawa whispered wives woman wonder