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How blest my days, my thoughts how free,
In sweet society with thee!
Then all was joyous, all was young,
And years unheeded rolled along:
But now the pleasing dream is o'er,
These scenes must charm me now no more;
Lost to the fields, and torn from you-
Farewell!-a long, a last adieu.
Me wrangling courts, and stubborn law,
To smoke, and crowds, and cities draw:
There selfish faction rules the day,
And pride and avarice throng the way;
Diseases taint the murky air,
And midnight conflagrations glare;
Loose Revelry, and Riot bold,

In frighted streets their orgies hold;
Or, where in silence all is drowned,
Fell Murder walks his lonely round;
No room for peace, no room for you;
Adieu, celestial nymph, adieu!
Shakspeare, no more thy sylvan son,
Nor all the art of Addison,

Pope's heaven-strung lyre, nor Waller's ease,
Nor Milton's mighty self must please:
Instead of these, a formal band
In furs and coifs around me stand;
With sounds uncouth and accents dry,
That grate the soul of harmony,
Each pedant sage unlocks his store
Of mystic, dark, discordant lore,
And points with tottering hand the ways
That lead me to the thorny maze.
There, in a winding close retreat,
Is justice doomed to fix her seat;
There, fenced by bulwarks of the law,
She keeps the wondering world in awe;
And there, from vulgar sight retired,
Like eastern queen, is more admired.
Oh let me pierce the secret shade
Where dwells the venerable maid!
There humbly mark, with reverent awe,
The guardian of Britannia's law;
Unfold with joy her sacred page,
The united boast of many an age;
Where mixed, yet uniform, appears
The wisdom of a thousand years.
In that pure spring the bottom view,
Clear, deep, and regularly true;
And other doctrines thence imbibe
Than lurk within the sordid scribe;
Observe how parts with parts unite
In one harmonious rule of right;
See countless wheels distinctly tend
By various laws to one great end;
While mighty Alfred's piercing soul
Pervades, and regulates the whole.
Then welcome business, welcome strife,
Welcome the cares, the thorns of life,
The visage wan, the pore-blind sight,
The toil by day, the lamp at night,
The tedious forms, the solemn prate,
The pert dispute, the dull debate,
The drowsy bench, the babbling hall,
For thee, fair Justice, welcome all!
Thus though my noon of life be past,
Yet let my setting sun, at last,
Find out the still, the rural cell,
Where sage retirement loves to dwell!
There let me taste the homefelt bliss
Of innocence and inward peace;
Untainted by the guilty bribe,
Uncursed amid the harpy tribe;
No orphan's cry to wound my ear;
My honour and my conscience clear.
Thus may I calmly meet my end,
Thus to the grave in peace descend.

DR THOMAS PERCY.

DR THOMAS PERCY, afterwards bishop of Dromore, in 1765 published his Reliques of English Poetry, in which several excellent old songs and ballads were revived, and a selection made of the best lyrical pieces scattered through the works of modern authors. The learning and ability with which Percy executed his task, and the sterling value of his materials, recommended his volumes to public favour. They found their way into the hands of poets and poetical readers, and awakened a love of nature, simplicity, and true passion, in contradistinction to that coldly-correct and sentimental style which pervaded part of our literature. The influence of Percy's collection was general and extensive. It is evident in many contemporary authors. It gave the first impulse to the genius of Sir Walter Scott; and it may be seen in the writings of Coleridge and Wordsworth. A fresh fountain of poetry was opened up-a spring of sweet, tender, and heroic thoughts and imaginations, which could never be again turned back into the artificial channels in which the genius of poesy had been too long and too closely confined. Percy was himself a poet. His ballad,O, Nanny, wilt Thou Gang wi' Me,' the Hermit of Warkworth,' and other detached pieces, evince both taste and talent. We subjoin a cento, The Friar of Orders Gray,' which Percy says he compiled from fragments of ancient ballads, to which he added supplemental stanzas to connect them together. The greater part, however, is his own. The life of Dr Percy presents little for remark. He was born at Bridgnorth, Shropshire, in 1728, and, after his education at Oxford, entered the church, in which he was successively chaplain to the king, dean of Carlisle, and bishop of Dromore: the

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O, Nanny, wilt Thou Gang wi' Me.

O, Nanny, wilt thou gang wi' me,
Nor sigh to leave the flaunting town?
Can silent glens have charms for thee,
The lowly cot and russet gown?
Nae langer drest in silken sheen,

Nae langer decked wi' jewels rare,
Say, canst thou quit each courtly scene,
Where thou wert fairest of the fair?

O, Nanny, when thou'rt far awa,

Wilt thou not cast a look behind? Say, canst thou face the flaky snaw, Nor shrink before the winter wind? O can that soft and gentle mien

Severest hardships learn to bear, Nor, sad, regret each courtly scene, Where thou wert fairest of the fair?

O Nanny, canst thou love so true,

Through perils keen wi' me to gae? Or, when thy swain mishap shall rue, To share with him the pang of wae? Say, should disease or pain befall,

Wilt thou assume the nurse's care, Nor, wishful, those gay scenes recall, Where thou wert fairest of the fair? And when at last thy love shall die,

Wilt thou receive his parting breath? Wilt thou repress each struggling sigh,

And cheer with smiles the bed of death? And wilt thou o'er his much-loved clay Strew flowers, and drop the tender tear? Nor then regret those scenes so gay,

Where thou wert fairest of the fair?

The Friar of Orders Gray.

It was a friar of orders gray

Walked forth to tell his beads, And he met with a lady fair, Clad in a pilgrim's weeds.

'Now Christ thee save, thou reverend friar! 1 pray thee tell to me,

If ever at yon holy shrine

My true love thou didst see.'

· And how should I know your true love
From many another one?'

Oh! by his cockle hat and staff,
And by his sandal shoon:

But chiefly by his face and mien,
That were so fair to view,

His flaxen locks that sweetly curled,
And eyes of lovely blue.'

'O lady, he is dead and gone!
Lady, he's dead and gone!
At his head a green grass turf,
And at his heels a stone.
Within these holy cloisters long
He languished, and he died,
Lamenting of a lady's love,

And 'plaining of her pride.
Here bore him barefaced on his bier
Six proper youths and tall;
And many a tear bedewed his grave
Within yon kirkyard wall.'

And art thou dead, thou gentle youth-
And art thou dead and gone?
And didst thou die for love of me?
Break, cruel heart of stone!'

'O weep not, lady, weep not so,

Some ghostly comfort seek:
Let not vain sorrow rive thy heart,
Nor tears bedew thy cheek.'
'O do not, do not, holy friar,

My sorrow now reprove;
For I have lost the sweetest youth
That e'er won lady's love.

And now, alas! for thy sad loss

I'll evermore weep and sigh; For thee I only wished to live, For thee I wish to die.'

'Weep no more, lady, weep no more; Thy sorrow is in vain:

For violets plucked, the sweetest shower
Will ne'er make grow again.

Our joys as winged dreams do fly;
Why then should sorrow last?
Since grief but aggravates thy loss,
Grieve not for what is past.'

'O say not so, thou holy friar!

I

pray thee say not so;

For since my true love died for me, 'Tis meet my tears should flow. And will he never come again

Will he ne'er come again?

Ah, no! he is dead, and laid in his grave,
For ever to remain.

His cheek was redder than the rose-
The comeliest youth was he;

But he is dead and laid in his grave,
Alas! and wo is me.'

'Sigh no more, lady, sigh no more,
Men were deceivers ever;
One foot on sea, and one on land,
To one thing constant never.

Hadst thou been fond, he had been false,
And left thee sad and heavy;

For young men ever were fickle found,
Since summer trees were leafy.'
'Now say not so, thou holy friar,

pray thee say not so;

My love he had the truest heart-
O he was ever true!

And art thou dead, thou much-loved youth?
And didst thou die for me?

Then farewell home; for evermore

A pilgrim I will be.

But first upon my true love's grave

My weary limbs I'll lay,

And thrice I'll kiss the green grass turf

That wraps his breathless clay.'

'Yet stay, fair lady, rest a while

Beneath this cloister wall;

The cold wind through the hawthorn blows, And drizzly rain doth fall.'

'O stay me not, thou holy friar,

O stay me not, I pray;
No drizzly rain that falls on me,
Can wash my fault away.'
'Yet stay, fair lady, turn again,

And dry those pearly tears;
For see, beneath this gown of gray,
Thy own true love appears.

Here, forced by grief and hopeless love,
These holy weeds I sought;

And here, ainid these lonely walls,

To end my days I thought.

But haply, for my year of grace
Is not yet passed away,
Might I still hope to win thy love,
No longer would I stay.'

"Now farewell grief, and welcome joy
Once more unto my heart;
For since I've found thee, lovely youth,
We never more will part.'

JAMES MACPHERSON.

The translator of Ossian stands in rather a dubious light with posterity, and seems to have been willing that his contemporaries should be no

James Macpherson.

better informed. With the Celtic Homer, however, the name of Macpherson is inseparably connected. They stand, as liberty does with reason,

Twinned, and from her hath no dividual being. Time and a better taste have abated the pleasure with which these productions were once read; but poems which engrossed so much attention, which were translated into many different languages, which were hailed with delight by Gray, by David Hume, John Home, and other eminent persons, and which formed the favourite reading of Napoleon, cannot be considered as unworthy of notice.

ments of his countrymen to listen to the tales and
compositions of their ancient bards, and he de-
scribed these fragments as full of pathos and poe-
tical imagery. Under the patronage of Mr Home's
friends-Blair, Carlyle, and Fergusson-Macpher-
son published a small volume of sixty pages, en-
titled Fragments of Ancient Poetry; translated from
the Gaelic or Erse Language. The publication at-
tracted universal attention, and a subscription was
made to enable Macpherson to make a tour in the
Highlands to collect other pieces. His journey
proved to be highly successful.
In 1762 he pre-
sented the world with Fingal, an Ancient Epic Poem,
in Six Books; and in 1763 Temora, another epic
poem, in eight books. The sale of these works was
immense. The possibility that, in the third or
fourth century, among the wild remote mountains
of Scotland, there existed a people exhibiting all the
high and chivalrous feelings of refined valour, gene-
rosity, magnanimity, and virtue, was eminently cal-
culated to excite astonishment; while the idea of
the poems being handed down by tradition through
so many centuries among rude, savage, and bar-
barous tribes, was no less astounding. Many doubted
-others disbelieved-but a still greater number
indulged the pleasing supposition that Fingal
fought and Ossian sung.' Macpherson realised
£1200, it is said, by these productions. In 1764
the poet accompanied Governor Johnston to Pen-
sacola as his secretary, but quarrelling with his
patron, he returned, and fixed his residence in
London. He became one of the literary suppor-
ters of the administration, published some histo-
rical works, and was a copious pamphleteer. In
1773 he published a translation of the Iliad in the
same style of poetical prose as Ossian, which was
a complete failure, unless as a source of ridicule
and personal opprobrium to the translator. He
was more successful as a politician. A pamphlet
of his in defence of the taxation of America, and
another on the opposition in parliament in 1779,
were much applauded. He attempted (as we have
seen from his manuscripts) to combat the Letters of
Junius, writing under the signatures of Musæus,'

Scævola,' &c. He was appointed agent for the Nabob of Arcot, and obtained a seat in parliament as representative for the borough of Camelford. It does not appear, however, that, with all his ambition and political zeal, Macpherson ever attempted to speak in the House of Commons. In 1789 the poet, having realised a handsome fortune, purchased the property of Raitts, in his native parish, and having changed its name to the more euphonious and sounding one of Belleville, he built upon it a splendid residence, designed by the Adelphi Adams, in the style of an Italian villa, in which he hoped to spend an old age of ease and dignity. He died at Belleville on the 17th of February 1796, leaving a handsome fortune, which is still enjoyed by his family. His eldest daughter, Miss Macpherson, is at present (1842) proprietrix of the estate, and another daughter of the poet is the wife of the distinguished natural philosopher, Sir David Brewster. The eager

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JAMES MACPHERSON was born at Kingussie, a village in Inverness-shire, on the road northwards from Perth, in 1738. He was intended for the church, and received the necessary education at Aberdeen. At the age of twenty, he published a heroic poem, in six cantos, entitled The Highlander, which at once proved his ambition and his incapa-ness of Macpherson for the admiration of his fellowcity. It is a miserable production. For a short creatures was seen by some of the bequests of his time Macpherson taught the school of Ruthven, will. He ordered that his body should be interred near his native place, whence he was glad to remove in Westminster Abbey, and that a sum of £300 as tutor in the family of Mr Graham of Balgowan. should be laid out in erecting a monument to his While attending his pupil (afterwards Lord Lyne- memory in some conspicuous situation at Belleville. doch) at the spa of Moffat, he became acquainted Both injunctions were duly fulfilled: the body was with Mr John Home, the author of Douglas,' to interred in Poets' Corner, and a marble obelisk, conwhom he showed what he represented as the trans-taining a medallion portrait of the poet, may be seen lations of some fragments of ancient Gaelic poetry, gleaming amidst a clump of trees by the road-side which he said were still floating in the Highlands. near Kingussie. He stated that it was one of the favourite amuse

The fierce controversy which raged for some time

O, Nanny, will Thou Gang wi' Me.

O, Nanny, wilt thou gang wi' me,
Nor sigh to leave the flaunting town?
Can silent glens have charms for thee,
The lowly cot and russet gown?
Nae langer drest in silken sheen,

Nae langer decked wi' jewels rare,
Say, canst thou quit each courtly scene,
Where thou wert fairest of the fair?

O, Nanny, when thou'rt far awa,

Wilt thou not cast a look behind? Say, canst thou face the flaky snaw, Nor shrink before the winter wind? O can that soft and gentle mien

Severest hardships learn to bear, Nor, sad, regret each courtly scene, Where thou wert fairest of the fair? O Nanny, canst thou love so true,

Through perils keen wi' me to gae? Or, when thy swain mishap shall rue, To share with him the pang of wae? Say, should disease or pain befall,

Wilt thou assume the nurse's care, Nor, wishful, those gay scenes recall, Where thou wert fairest of the fair? And when at last thy love shall die,

Wilt thou receive his parting breath? Wilt thou repress each struggling sigh,

And cheer with smiles the bed of death? And wilt thou o'er his much-loved clay Strew flowers, and drop the tender tear? Nor then regret those scenes so gay,

Where thou wert fairest of the fair?

The Friar of Orders Gray.

It was a friar of orders gray

Walked forth to tell his beads, And he met with a lady fair, Clad in a pilgrim's weeds.

'Now Christ thee save, thou reverend friar! 1 pray thee tell to me,

If ever at yon holy shrine

My true love thou didst see.'

And how should I know your true love
From many another one?'
Oh! by his cockle hat and staff,
And by his sandal shoon:

But chiefly by his face and mien,
That were so fair to view,

His flaxen locks that sweetly curled,
And eyes of lovely blue.'

'O lady, he is dead and gone!
Lady, he's dead and gone!
At his head a green grass turf,
And at his heels a stone.
Within these holy cloisters long
He languished, and he died,
Lamenting of a lady's love,

And 'plaining of her pride.
Here bore him barefaced on his bier
Six proper youths and tall;
And many a tear bedewed his grave
Within yon kirkyard wall.'

" And art thou dead, thou gentle youth-
And art thou dead and gone?
And didst thou die for love of me?
Break, cruel heart of stone!'

'O weep not, lady, weep not so,

Some ghostly comfort seek:
Let not vain sorrow rive thy heart,
Nor tears bedew thy cheek.'
'O do not, do not, holy friar,
My sorrow now reprove;
For I have lost the sweetest youth
That e'er won lady's love.

And now, alas! for thy sad loss

I'll evermore weep and sigh; For thee I only wished to live, For thee I wish to die.'

'Weep no more, lady, weep no more; Thy sorrow is in vain :

For violets plucked, the sweetest shower
Will ne'er make grow again.

Our joys as winged dreams do fly;
Why then should sorrow last?
Since grief but aggravates thy loss,
Grieve not for what is past.'

'O say not so, thou holy friar!
I pray thee say not so;
For since my true love died for me,
'Tis meet my tears should flow.
And will he never come again-
Will he ne'er come again?

Ah, no! he is dead, and laid in his grave,
For ever to remain.

His cheek was redder than the rose-
The comeliest youth was he;

But he is dead and laid in his grave,
Alas! and wo is me.'

'Sigh no more, lady, sigh no more,
Men were deceivers ever;
One foot on sea, and one on land,
To one thing constant never.

Hadst thou been fond, he had been false,
And left thee sad and heavy;

For young men ever were fickle found,
Since summer trees were leafy.'

'Now say not so, thou holy friar,

I pray thee say not so;

My love he had the truest heart-
O he was ever true!

And art thou dead, thou much-loved youth?
And didst thou die for me?

Then farewell home; for evermore

A pilgrim I will be.

But first upon my true love's grave

My weary limbs I'll lay,

And thrice I'll kiss the green grass turf

That wraps his breathless clay.'

'Yet stay, fair lady, rest a while Beneath this cloister wall;

The cold wind through the hawthorn blows,
And drizzly rain doth fall.'

'O stay me not, thou holy friar,
O stay me not, I pray;
No drizzly rain that falls on me,
Can wash my fault away.'
'Yet stay, fair lady, turn again,

And dry those pearly tears;
For see, beneath this gown of gray,
Thy own true love appears.

Here, forced by grief and hopeless love,
These holy weeds I sought;

And here, ainid these lonely walls,
To end my days I thought.

POETS

But haply, for my year of grace
Is not yet passed away,

Might I still hope to win thy love,
No longer would I stay.'

ENGLISH LITERATURE.

Now farewell grief, and welcome joy
Once more unto my heart;
Fer since I've found thee, lovely youth,
We never more will part.'

JAMES MACPHERSON.

The translator of Ossian stands in rather a dations light with posterity, and seems to have been willing that his contemporaries should be no

ments of his countrymen to listen to the ties and
compositions of their ancient bards, and be de-
scribed these fragments as full of paths and pue-
tical imagery. Under the patronage of Mrs
friends-Blair, Carlyle, and Fergusse-Mayor-
son published a small volume of sixty pase
titled Fragments of Ancient Poetry; transfrom
the Gaelic or Erse Language. The paturatic -
tracted universal attention, and a subscript. & was
made to enable Macpherson to make a hour in the
Highlands to collect other preces Is Any
proved to be highly stressful. In 1762 he pre-
sented the world with Fang, en Ancient Epe I'
in Siz Books; and in 1763 Tora, ster
poem, in eight books. The sax of sew rks was
immense. The possiblity that, in
fourth century, among the wire t
of Scotland, there existed a perp ex
high and chivalrous feelings of refined rai ar. gear
rosity, magnanimity, and virtue, was

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