What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Acted at Covent Acted at Drury Acted at Lincoln's afterwards alteration appears applause audience Ballad Opera Ben Jonson benefit borrowed called character Charles Cibber comedy Comic Covent Garden death dedicated dialogue Dibdin Dram drama Drury Lane Dryden Dublin Duke Duke's Theatre Earl edition English Entertainment Farce five acts founded French Garrick George Harlequin Haymarket Henry Henry Chettle honour humour incidents Interlude James James Shirley John John O'Keeffe Johnson King Lady late Lincoln's Inn Fields London Lord Love Lovers Masque ment merit Never acted nights Opera original Pant Pantomime Pastoral performed plot is taken Poem poet Prince printed prologue published Queen racters received Richard Richard Cumberland Rose Theatre satire says scene lies servants Shakspeare songs stage story success Theatre Royal Thomas thor three acts tion title-page Trag tragedy Tragi-Com trans translated verse William writer written
Page 54 - We were all at the first night of it, in great uncertainty of the event; till we were very much encouraged by overhearing the Duke of Argyle, who sat in the next box to us, say, 'it will do — it must do! — I see it in the eyes of them!
Page 362 - ... fill the mind with a perpetual tumult of indignation, pity, and hope. There is no scene which does not contribute to the aggravation of the distress or conduct of the action, and scarce a line which does not conduce to the progress of the scene. So powerful is the current of the poet's imagination that the mind which once ventures within it is hurried irresistibly along.
Page 276 - The apparition left the regions of the dead to little purpose ; the revenge which he demands is not obtained, but by the death of him that was required to take it ; and the gratification, which would arise from the destruction of an usurper and a murderer, is abated by the untimely death of Ophelia, the young, the beautiful, the harmless, and the pious.
Page 18 - True,' representing some principal pieces of the reign of Henry VIII, which was set forth with many extraordinary circumstances of pomp and majesty, even to the matting of the stage; the Knights of the order with their Georges and Garter, the guards with their embroidered coats and the like: sufficient, in truth, within a while, to make greatness very familiar, if not ridiculous.
Page 215 - Statutes in that case made and provided, and against the peace of our Sovereign Lord the King, his crown, and dignity.
Page 86 - Cato it has been not unjustly determined, that it is rather a poem in dialogue than a drama, rather a succession of just sentiments in elegant language, than a representation of natural affections, or of any state probable or possible in human life. Nothing here excites or asswages emotion; here is no magical power of raising phantastick terror or wild anxiety.
Page 343 - The Troublesome Raigne of John, King of England, with the Discoverie of King Richard Cordelion's base Son, vulgarly named the Bastard Fawconbridge : also the Death of King John at Swinstead Abbey.
Page 301 - Falling in the other day at a victualling-house near the house of peers, I heard the maid come down and tell the landlady at the bar, that my lord bishop swore he would throw her out at window, if she did not bring up more mild beer, and that my lord duke would have a double mug of purl.
Page 276 - ... the natural sentiments of man. New characters appear from time to time in continual succession, exhibiting various forms of life and particular modes of conversation. The pretended madness of Hamlet causes much mirth, the mournful distraction of Ophelia fills the heart with tenderness, and every personage produces the effect intended, from the apparition that in the first act chills the blood with horror, to the fop in the last, that exposes affectation to just contempt.