Romeo and JulietContributors to this Volume: James Bemis ""Star-crossed"" Romeo and Juliet are Shakespeare's most famous lovers. A staple of high school reading lists, the tragedy especially resonates with young adult readers who, like Romeo and Juliet, have experienced the exhilarating and perilous phenomenon of being ""in love"". Given the tragic ending of the play, what does Shakespeare illustrate about his teen protagonists: Are they the hapless victims of fate, or are they responsible for the poor choices they make? Is their love the ""real thing"", or is it self-indulgent passion run amok? These are some of the ever relevant questions discussed in this critical edition of Romeo and Juliet. The Ignatius Critical Editions represent a tradition-oriented alternative to popular textbook series such as the Norton Critical Editions or Oxford World Classics, and are designed to concentrate on traditional readings of the Classics of world literature. While many modern critical editions have succumbed to the fads of modernism and post-modernism, this series will concentrate on tradition-oriented criticism of these great works. Edited by acclaimed literary biographer, Joseph Pearce, the Ignatius Critical Editions will ensure that traditional moral readings of the works are given prominence, instead of the feminist, or deconstructionist readings that often proliferate in other series of 'critical editions'. As such, they represent a genuine extension of consumer-choice, enabling educators, students and lovers of good literature to buy editions of classic literary works without having to 'buy into' the ideologies of secular fundamentalism. |
From inside the book
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... passion and purity of their love for each other. In our day and age, this is perhaps the most widely accepted interpretation of the play's overarching morality or deepest meaning, harmonizing as it does with the ingrained Romanticism ...
... passions. Also embedded in these two lines is a significant clue that the feudal, or romantic, reading of the play is awry. If, as romantic readers of the play maintain, Romeo's love for Rosaline is false whereas his love for Juliet is ...
... passion! lover! Appear thou in the likeness of a sigh; Speak but one rhyme and I am satisfied; Cry but 'Ay me!' pronounce but 'love' and 'dove'. (2.1.7–10) Although Shakespeare uses the irreverence of Mercutio to make the connection ...
... passionate as it is impetuous and impulsive. It is truly momentous, in the sense that it surrenders itself to the moment ... passion; it is what he has to say about it. In the first meeting between the two lovers, it is significant that ...
... passion! lover!” (7). For Mercutio, “Romeo”, “madman”, and “lover” are synonyms. Responding to Mercutio's jesting, the sober- minded Benvolio observes that Romeo is not so much a madman as a blind man who is at home in. 14In some sources ...