The Tragic Protestis, what has been said already says that no anticipations of aesthetic theory are in place here. When research stays on the level of primitive imagination, prior to the distinction between real and unreal, to merge art with life, it cannot serve as guideline for thoughts on what is distinctive within art. No canons of composition can be forthcoming, even the very concept of composition, implying a composer, must remain inadmissible; since, unlike the one of tragic art, the composer of tragic life will be here in question. No analysis of form need be expected, and when a form of vision is described, it will not be what artistic critics are used to dissect. Purely aesthetic instruments, such as plot, contrast, harmony, proper pitch, likene3s, recognition, com pleteness, will be of no use and no relevance at all. And it hardly need be mentioned that the age-fortified classification of artistic kinds remains strictly out of bounds. Here is perhaps the proper place to introduce a stylistic apology. I t is clear to everyone with a neat sense of seemliness in language that the use of unattached adjectives is very awkward in English. No one reading these paragraphs can be blamed for fidgeting when molested again and again with "the tragic" instead of "tragedy. " The excuse has perhaps transpired in the preceding passage. |
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Page 46
... matter how you turn , act , and decide , you must be trapped and overwhelmed . Oedipus does not believe that to be the conclusion of his tragic life . Rather , the view resulting is that no matter what , you must decide and act , and so ...
... matter how you turn , act , and decide , you must be trapped and overwhelmed . Oedipus does not believe that to be the conclusion of his tragic life . Rather , the view resulting is that no matter what , you must decide and act , and so ...
Page 90
... matter of “ also " knowing what one has , where one stands , what one believes . Yet here the English langu- age adds a significant suggestion which is not differentiated in the original Latin : that in such static contexts the word to ...
... matter of “ also " knowing what one has , where one stands , what one believes . Yet here the English langu- age adds a significant suggestion which is not differentiated in the original Latin : that in such static contexts the word to ...
Page 270
... matter of fact , all men are not tragic ; as a matter of imaginable possi- bility , all are . But this raises the question of men's partial partici- pation in these potentials , of their choice there , of the sense of pro- perty in ...
... matter of fact , all men are not tragic ; as a matter of imaginable possi- bility , all are . But this raises the question of men's partial partici- pation in these potentials , of their choice there , of the sense of pro- perty in ...
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Common terms and phrases
action Aegistheus Aeschylus alien answer approach appropriate Argives Argos Aristotle Athens awareness becomes belong Biff character choice choose chosen Christian claim common conscience Creon crowd curse daring dark death deed demand destiny determined discovery of freedom divine dramatic dreams earth empty entities evil exploration expression faith Faust fear feeling finite freedom future genuine grasp ground Hamlet happen horizon human existence hybris idea ill-being imagination individual Jocasta king knowledge Laius liberation light living Lord loss man's means men's Mephisto Mephistopheles mind mortal move nature negation never objective Oedipus Okeanos one's Orestes perhaps possible present prince prince Hamlet Promethean Prometheus proper properly quest question reality reflected regard remains responsibility root sense speak speech spirit stand striving temporal Thebes thing Thomas Stockmann thought Tiresias Titan tragedy tragic hero tragic protest truth universe vision whole Willy Loman words Zeus