 | Samuel Taylor Coleridge - Criticism - 1834 - 360 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create...all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play with, but fixities and definities. The... | |
 | Samuel Taylor Coleridge - 1840 - 582 pages
...dissolves, diffuses, dissipates, in order I to re-create ; or, where fins process is rendered im! possible, fountain may prove the occasion of drought. Just and generous a ft is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on... | |
 | 1848 - 722 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create...to idealize and to unify. It is essentially vital," etc. " FANCY, on the contrary, has no other counters to play with, but fixities and definities. The... | |
 | 1848 - 734 pages
...primary in the land of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create...struggles to idealize and to unify. It is essentially rilal," etc. " FANCV, on the contrary, has no other counters to play with, but fixities and definities.... | |
 | Samuel Taylor Coleridge - 1849 - 578 pages
...kind of its agen* су, nnd differing only in drpref, and in the mofe of its operation. It di^nlves, diffuses, dissipates, in order to re-create ; or,...where this process is rendered impossible, yet still, nt nil events, it struggles to idealize nnd to unify. It is essentially vital, even аа all objects... | |
 | Samuel Taylor Coleridge - 1853 - 764 pages
...author's judgment upon it, especially as it has been quoted. — SC] and in the -mode of its operation.* It dissolves, diffuses, dissipates, in order to re-create...all objects (as objects) are essentially fixed and dead.f FANCY, on the contrary, has no other counters to play with but fixities and definites. The fancy... | |
 | Samuel Taylor Coleridge - 1853 - 622 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create...impossible, yet still, at all events, it struggles to idealise and to unify. It is essentially vital, even as all objects (as objecte) are essentially fixed... | |
 | Samuel Taylor Coleridge - 1854 - 766 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation.* It dissolves, diffuses, dissipates, in order to re-create...all objects (as objects) are essentially fixed and dead.f* FANCY,jyi--the contrary, has no other counters to play with out fixities and definites. The... | |
 | Samuel Taylor Coleridge - English literature - 1858 - 770 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation.* It dissolves, diffuses, dissipates, in order to re-create...all objects (as objects) are essentially fixed and dead.f FANCY, on the contrary, has no other counters to play with but fixities and definites. The fancy... | |
 | Samuel Taylor Coleridge - 1864 - 772 pages
...of its operation.* It dissolves, diffuses, d1ssipates, in order to re-ereate : or where this proeess is rendered impossible, yet still at all events it...essentially vital, even as all objects (as objects) are essen tially fixcd and dead.f FANCY, on the contrary, has no other counters to play with but fixities... | |
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I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree and in the mode of its operation. It dissolves, diffuses, dissipates, in order to... 
