The Works of Shakespeare, Volume 1Macmillan and Company, limited, 1899 |
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Page xiii
... Hence the threefold classification adopted by his first editors corresponds to real lines of cleavage in Shakespeare's work . But they committed some over- sights of arrangement which disguise the real homo- geneity of each of the three ...
... Hence the threefold classification adopted by his first editors corresponds to real lines of cleavage in Shakespeare's work . But they committed some over- sights of arrangement which disguise the real homo- geneity of each of the three ...
Page xv
... hence appears to be one of them . No doubt both Pericles and Cymbeline share with the tragedies a gravity of tone and mood which dis- tinguishes them from the earlier comedies . The same gravity underlies The Tempest and The Winter's ...
... hence appears to be one of them . No doubt both Pericles and Cymbeline share with the tragedies a gravity of tone and mood which dis- tinguishes them from the earlier comedies . The same gravity underlies The Tempest and The Winter's ...
Page 16
... hence with that dread penalty . Biron . A dangerous law against gentility ! [ Reads ] Item , If any man be seen to talk with a woman within the term of three years , he shall endure such public shame as the rest of the court can ...
... hence with that dread penalty . Biron . A dangerous law against gentility ! [ Reads ] Item , If any man be seen to talk with a woman within the term of three years , he shall endure such public shame as the rest of the court can ...
Page 58
... order , whose Eclogues were used in the Eng- lish grammar schools , and hence familiar to Shakespeare . Fauste , precor , etc. , is the opening of the first eclogue . Venetia , Venetia , Chi non ti vede non ti 58 Love's Labour's Lost ACT ...
... order , whose Eclogues were used in the Eng- lish grammar schools , and hence familiar to Shakespeare . Fauste , precor , etc. , is the opening of the first eclogue . Venetia , Venetia , Chi non ti vede non ti 58 Love's Labour's Lost ACT ...
Page 70
... Hence , sirs ; away ! 212. sirs . The term could be used , in the unceremonious sense , in addressing inferiors of both sexes , and even women alone . Cost . Walk aside the true folk , and let 70 Love's Labour's Lost ACT IV.
... Hence , sirs ; away ! 212. sirs . The term could be used , in the unceremonious sense , in addressing inferiors of both sexes , and even women alone . Cost . Walk aside the true folk , and let 70 Love's Labour's Lost ACT IV.
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WORKS OF SHAKESPEARE William 1564-1616 Shakespeare,C. H. (Charles Harold) 1853-19 Herford No preview available - 2016 |
Common terms and phrases
Antipholus Armado Biron Boyet chain comedy Comedy of Errors Cost Costard dear Demetrius dost thou doth dream Dromio Duke Dull Enter Ephesus Exeunt Exit eyes F. W. H. MYERS fair fairy father favour fear fool forsworn gentle Gentlemen give gone grace hath hear heart heaven Helena hence Hermia Hippolyta Julia Kath King lady Launce letter lion Longaville look lord Love's Labour's Lost lovers Lysander madam Marry master merry mistress moon Moth Navarre never night oath Oberon play Pompey pray princess Proteus Puck Pyramus Quin Re-enter Rosaline SCENE Shakespeare Silvia Sir Proteus sleep speak Speed stay sweet Syracuse tears tell thee Theseus thing Thisby thou art thou hast Thurio Tita Titania tongue true unto Valentine villain wench wife word ΙΟ
Popular passages
Page 120 - Tu-who, a merry note, While greasy Joan doth keel the pot. When all aloud the wind doth blow And coughing drowns the parson's saw And birds sit brooding in the snow And Marian's nose looks red and raw, When roasted crabs hiss in the bowl, Then nightly sings the staring owl, Tu-whit ; Tu-who, a merry note, While greasy Joan doth keel the pot Arm.
Page 331 - Yet mark'd I where the bolt of Cupid fell : It fell upon a little western flower, Before milk-white, now purple with love's wound, And maidens call it love-in-idleness.
Page 31 - Biron they call him ; but a merrier man, Within the limit of becoming mirth, I never spent an hour's talk withal : His eye begets occasion for his wit ; For every object that the one doth catch, The other turns to a mirth-moving jest ; Which his fair tongue (conceit's expositor,) Delivers in such apt and gracious words, That aged ears play truant at his tales, And younger hearings are quite ravished ; So sweet and voluble is his discourse.
Page 119 - Cuckoo, cuckoo : O word of fear, Unpleasing to a married ear ! When shepherds pipe on oaten straws, And merry larks are ploughmen's clocks, When turtles tread, and rooks, and daws, And maidens bleach their summer smocks, The cuckoo then, on every tree, Mocks married men ; for thus sings he, Cuckoo ; Cuckoo, cuckoo...
Page 325 - Over hill, over dale, Thorough bush, thorough brier, Over park, over pale, Thorough flood, thorough fire, I do wander every where, Swifter than the moon's sphere; And I serve the fairy queen, To dew her orbs upon the green. The cowslips tall her pensioners be: In their gold coats spots you see; Those be rubies, fairy favours, In those freckles live their savours: I must go seek some dewdrops here, And hang a pearl in every cowslip's ear.
Page 376 - More strange than true : I never may believe These antique fables nor these fairy toys. Lovers and madmen have such seething brains, Such shaping fantasies, that apprehend More than cool reason ever comprehends. The lunatic, the lover, and the poet Are of imagination all compact.
Page 272 - Who is Silvia ? what is she, That all our swains commend her ? Holy, fair, and wise is she, The heaven such grace did lend her, That she might admired be. Is she kind as she is fair ? For beauty lives with kindness : Love doth to her eyes repair, To help him of his blindness ; And, being help'd, inhabits there. Then to Silvia let us sing, That Silvia is excelling : She excels each mortal thing, Upon the dull earth dwelling : To her let us garlands bring.