Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 167
... Chekhov plays the particulars distracted the director from the whole because the impressionistically drawn figures of Chekhov lent themselves well to precise characterization , similarly , in the plays by Ibsen , the director had to ...
... Chekhov plays the particulars distracted the director from the whole because the impressionistically drawn figures of Chekhov lent themselves well to precise characterization , similarly , in the plays by Ibsen , the director had to ...
Page 168
... Chekhov's mood lies in the rhythm of his language . This rhythm was felt by the actors of the Art Theater during the rehearsals of the first Chekhov play , was felt because of their love for Chekhov . The Moscow Art Theater would never ...
... Chekhov's mood lies in the rhythm of his language . This rhythm was felt by the actors of the Art Theater during the rehearsals of the first Chekhov play , was felt because of their love for Chekhov . The Moscow Art Theater would never ...
Page 169
... Chekhov changed from subtle realism to mys- tic lyricism . Once the Moscow Theater had decided how to produce Chekhov plays , it applied the same pattern to other authors . Ibsen and Maeter- linck were performed “ in the manner of Chekhov ...
... Chekhov changed from subtle realism to mys- tic lyricism . Once the Moscow Theater had decided how to produce Chekhov plays , it applied the same pattern to other authors . Ibsen and Maeter- linck were performed “ in the manner of Chekhov ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words