Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page xiv
... Duke of Saxe - Meiningen's design for banquet scene , Macbeth . Duke of Saxe - Meiningen's design for hat and staff , Wilhelm Tell . Scene from The Wild Duck , Théâtre Libre . Poster of the Théâtre Antoine . 27 28 32 Stanislavsky as ...
... Duke of Saxe - Meiningen's design for banquet scene , Macbeth . Duke of Saxe - Meiningen's design for hat and staff , Wilhelm Tell . Scene from The Wild Duck , Théâtre Libre . Poster of the Théâtre Antoine . 27 28 32 Stanislavsky as ...
Page 22
... Duke of Saxe - Meiningen . May 1 , 1874 , has come to have a special place in the history of the director , for on that date the Duke of Saxe - Meiningen brought his unknown troupe to Berlin to display the unique accomplishments of a ...
... Duke of Saxe - Meiningen . May 1 , 1874 , has come to have a special place in the history of the director , for on that date the Duke of Saxe - Meiningen brought his unknown troupe to Berlin to display the unique accomplishments of a ...
Page 81
... DUKE OF SAXE - MEININGEN ( 1826-1914 ) Pictorial Motion In composing a stage effect , it is important to keep the middle of the picture from being congruent with the middle of the stage . If one ... Duke of Saxe-Meiningen Pictorial Motion.
... DUKE OF SAXE - MEININGEN ( 1826-1914 ) Pictorial Motion In composing a stage effect , it is important to keep the middle of the picture from being congruent with the middle of the stage . If one ... Duke of Saxe-Meiningen Pictorial Motion.
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words