Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 381
... Frankie aches all the time . Her sobbing in the first act is the climax of an ache del- icately indicated all through . . . part of the loneliness inherent in the main action . ( Frankie has no one to talk to about her resolve - so she ...
... Frankie aches all the time . Her sobbing in the first act is the climax of an ache del- icately indicated all through . . . part of the loneliness inherent in the main action . ( Frankie has no one to talk to about her resolve - so she ...
Page 384
... Frankie smokes , when Honey needs a stimulant , when Frankie rushes out to the town , she cautions , but does not fight . ( " I'm just trying to head this thing off , but I see it's no use . " ) This is her wisdom : the acceptance of ...
... Frankie smokes , when Honey needs a stimulant , when Frankie rushes out to the town , she cautions , but does not fight . ( " I'm just trying to head this thing off , but I see it's no use . " ) This is her wisdom : the acceptance of ...
Page 385
... Frankie's dress , but repeats Berenice's less flattering description ; that is , he imitates Berenice , at- taching himself or reflecting her ... so that Frankie calls him a " dou- ble - faced Judas . " The child reflects life : it ...
... Frankie's dress , but repeats Berenice's less flattering description ; that is , he imitates Berenice , at- taching himself or reflecting her ... so that Frankie calls him a " dou- ble - faced Judas . " The child reflects life : it ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words