Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 149
... PLAYGOER : Then you place the stage - director before the actors ? STAGE - DIRECTOR : Yes ; the relation of the stage - director to the actor is precisely the same as that of the conductor to his orchestra , or of the publisher to his ...
... PLAYGOER : Then you place the stage - director before the actors ? STAGE - DIRECTOR : Yes ; the relation of the stage - director to the actor is precisely the same as that of the conductor to his orchestra , or of the publisher to his ...
Page 160
... PLAYGOER : I understand , then , that you would allow no one to rule on the stage except the stage - director ? STAGE - DIRECTOR : The nature of the work permits nothing else . PLAYGOER : Not even the playwright ? STAGE - DIRECTOR ...
... PLAYGOER : I understand , then , that you would allow no one to rule on the stage except the stage - director ? STAGE - DIRECTOR : The nature of the work permits nothing else . PLAYGOER : Not even the playwright ? STAGE - DIRECTOR ...
Page 162
... PLAYGOER : The play will be lacking . STAGE - DIRECTOR : Are you sure of that ? PLAYGOER : Well , the play will certainly not exist if the poet or playwright is not there to write it . STAGE - DIRECTOR : There will not be any play in ...
... PLAYGOER : The play will be lacking . STAGE - DIRECTOR : Are you sure of that ? PLAYGOER : Well , the play will certainly not exist if the poet or playwright is not there to write it . STAGE - DIRECTOR : There will not be any play in ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words