Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 418
... Shakespeare himself might have wished for . . . . One of the most vital tasks which confront the Shakespearean pro- ducer in America is the breaking - down of this unwholesome rever- ence for the Bard . There is at present no tradition ...
... Shakespeare himself might have wished for . . . . One of the most vital tasks which confront the Shakespearean pro- ducer in America is the breaking - down of this unwholesome rever- ence for the Bard . There is at present no tradition ...
Page 434
... Shakespeare's human meaning . Shakespeare's plays had great sig- nificance for his own audiences . We must try to find what he intended his audience to receive and transmit the same effect and intention to our own . This is frequently ...
... Shakespeare's human meaning . Shakespeare's plays had great sig- nificance for his own audiences . We must try to find what he intended his audience to receive and transmit the same effect and intention to our own . This is frequently ...
Page 435
... Shakespeare wrote if we bother to go to the expense and trouble of mounting them at all . The Shakespeare I have directed has always been done in period costume , either the costume of Shakespeare's own period , the period he depicts in ...
... Shakespeare wrote if we bother to go to the expense and trouble of mounting them at all . The Shakespeare I have directed has always been done in period costume , either the costume of Shakespeare's own period , the period he depicts in ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words