Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 111
... action . When the actor has mastered that , a certain line of action has matured within him which he begins to feel with his body , his muscles . When this happens the actor realizes where he is going and why . He reaches a moment when ...
... action . When the actor has mastered that , a certain line of action has matured within him which he begins to feel with his body , his muscles . When this happens the actor realizes where he is going and why . He reaches a moment when ...
Page 216
... action , and an actor primarily a human being who acts , before going any further our director seeks to delimit the place , form , and dimensions of this action . If it is an interior , he will give it its essential props : chairs and ...
... action , and an actor primarily a human being who acts , before going any further our director seeks to delimit the place , form , and dimensions of this action . If it is an interior , he will give it its essential props : chairs and ...
Page 257
... action would unfold , not only with the maximum prox- imity to the spectator , but also with an active involvement of the audience in the maelstrom of the action . The second production of my life , Mayakovsky's Mystery Bouffe , I ...
... action would unfold , not only with the maximum prox- imity to the spectator , but also with an active involvement of the audience in the maelstrom of the action . The second production of my life , Mayakovsky's Mystery Bouffe , I ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words