Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 211
... audience . I further believe that an audience unconsciously appraises his character . It soon discovers if he is all actor or part man , and its appraisal of his performance is more determined by its uncon- scious exploration of his ...
... audience . I further believe that an audience unconsciously appraises his character . It soon discovers if he is all actor or part man , and its appraisal of his performance is more determined by its uncon- scious exploration of his ...
Page 261
... audience sat in place of the former stage . A wide passage was made between the audience sitting in the old orchestra and the audience sitting on the old stage . On this wide aisle some of the central scenes of the play were staged ...
... audience sat in place of the former stage . A wide passage was made between the audience sitting in the old orchestra and the audience sitting on the old stage . On this wide aisle some of the central scenes of the play were staged ...
Page 434
... audiences - is to reach those audiences with the essence of Shakespeare's human meaning . Shakespeare's plays had great sig- nificance for his own audiences . We must try to find what he intended his audience to receive and transmit the ...
... audiences - is to reach those audiences with the essence of Shakespeare's human meaning . Shakespeare's plays had great sig- nificance for his own audiences . We must try to find what he intended his audience to receive and transmit the ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words