Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 77
... create such a Theater is our real purpose . " It was out of the impulse to create such a theater that the director originally came into being . The absence of shared values and a casual rather than a consecrated audience meant that ...
... create such a Theater is our real purpose . " It was out of the impulse to create such a theater that the director originally came into being . The absence of shared values and a casual rather than a consecrated audience meant that ...
Page 109
... create directors , but I must say that this question has never been clear to me . My expe- rience tells me that you cannot create a director - a director is born . It is possible to create a favorable atmosphere in which he can grow ...
... create directors , but I must say that this question has never been clear to me . My expe- rience tells me that you cannot create a director - a director is born . It is possible to create a favorable atmosphere in which he can grow ...
Page 114
... create the life of the human body we must create the life of the human soul . From it you create the logic of action , you create the inner line , but give it form externally . If you go through three- four acts in a given sequence the ...
... create the life of the human body we must create the life of the human soul . From it you create the logic of action , you create the inner line , but give it form externally . If you go through three- four acts in a given sequence the ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words