Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
From inside the book
Results 1-3 of 10
Page 126
... definite starting point . In due course of time — it may be a week or a month — the scenic artist will have constructed the actual scene models which are set up in the perfectly equipped miniature theater of my studio . But changes are ...
... definite starting point . In due course of time — it may be a week or a month — the scenic artist will have constructed the actual scene models which are set up in the perfectly equipped miniature theater of my studio . But changes are ...
Page 188
... definite impression , a definite idea , with which he then creates with the aid of means germane to his specific art . VAKHTANGOV : So you say that Zakhava gave us a wrong definition of realism . Let's discuss specific examples . What ...
... definite impression , a definite idea , with which he then creates with the aid of means germane to his specific art . VAKHTANGOV : So you say that Zakhava gave us a wrong definition of realism . Let's discuss specific examples . What ...
Page 189
... definite ( in this case schematic ) movement , tries to find out how it should walk , speak , sit , etc. A Man's Life and The Drama of Life are fantastic realism . ZAKHAVA : And The Lower Depths ? What do you hold that to be ...
... definite ( in this case schematic ) movement , tries to find out how it should walk , speak , sit , etc. A Man's Life and The Drama of Life are fantastic realism . ZAKHAVA : And The Lower Depths ? What do you hold that to be ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
28 other sections not shown
Other editions - View all
Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words