Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 137
... dramatic producer almost overnight . And if this be the end sought by dramatic art , then we have had no past theater . Shake- speare would doubtless have utilized every accessory and aid known to our modern stage , yet the greatness of ...
... dramatic producer almost overnight . And if this be the end sought by dramatic art , then we have had no past theater . Shake- speare would doubtless have utilized every accessory and aid known to our modern stage , yet the greatness of ...
Page 229
... dramatic work to a piece of pottery painted in false colors , whose true colors and finished design do not appear until after it is fired . A play receives the finishing process of an ordeal by fire through con- tact with an audience ...
... dramatic work to a piece of pottery painted in false colors , whose true colors and finished design do not appear until after it is fired . A play receives the finishing process of an ordeal by fire through con- tact with an audience ...
Page 336
... DRAMATIC SCENE " The drum scene excited the audience in a special manner . This was sometimes explained by the fact that this is the most dramatic scene of the play , and that the audience preferred the dramatic to the epic . Actually ...
... DRAMATIC SCENE " The drum scene excited the audience in a special manner . This was sometimes explained by the fact that this is the most dramatic scene of the play , and that the audience preferred the dramatic to the epic . Actually ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words