Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 40
... expression which in its final and essential fullness can alone be obtained through the language of sounds . Hereby the essence of that which the Word - Tone - Poet has to express results quite by itself : it is the Purely Human , freed ...
... expression which in its final and essential fullness can alone be obtained through the language of sounds . Hereby the essence of that which the Word - Tone - Poet has to express results quite by itself : it is the Purely Human , freed ...
Page 181
... expression shall be lost in the dust of the wings . And mark well how resourcefully planned are these ges- tures , actions , postures , expressions . Indeed - could the pompous affectations , the lack of plasticity in bodily movement be ...
... expression shall be lost in the dust of the wings . And mark well how resourcefully planned are these ges- tures , actions , postures , expressions . Indeed - could the pompous affectations , the lack of plasticity in bodily movement be ...
Page 387
... expression . He is comparatively " mute " -awkward in expressing his feelings . Affectionate gibberish is the best he can man- age in response to Frankie's adoration . T.T. To make as much connection as he can find . Modest , resigned ...
... expression . He is comparatively " mute " -awkward in expressing his feelings . Affectionate gibberish is the best he can man- age in response to Frankie's adoration . T.T. To make as much connection as he can find . Modest , resigned ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words