Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 44
... felt . Though I have found that I have often had to revise the first impression I continue to employ this method because I have so often found that this sensitive way of touching a piece - when it is a real piece - is more illuminating ...
... felt . Though I have found that I have often had to revise the first impression I continue to employ this method because I have so often found that this sensitive way of touching a piece - when it is a real piece - is more illuminating ...
Page 167
... felt that a theatrical sky could be made real to an audience , and the entire staff worried about how to raise the roof of the theater . No one felt that rather than altering the stage , the foun- dation of the Naturalistic Theater ...
... felt that a theatrical sky could be made real to an audience , and the entire staff worried about how to raise the roof of the theater . No one felt that rather than altering the stage , the foun- dation of the Naturalistic Theater ...
Page 187
... felt the " tomorrow , " but always felt the " today . " But one has to feel " the today in the morrow , " and the morrow in the " present day . " APRIL 11 , 1922 VAKHTANGOV : Well , gentlemen , I am ready for questions . B. ZAKHAVA : I ...
... felt the " tomorrow , " but always felt the " today . " But one has to feel " the today in the morrow , " and the morrow in the " present day . " APRIL 11 , 1922 VAKHTANGOV : Well , gentlemen , I am ready for questions . B. ZAKHAVA : I ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words