Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 114
... human body . In order to create the life of the human body we must create the life of the human soul . From it you create the logic of action , you create the inner line , but give it form externally . If you go through three- four acts ...
... human body . In order to create the life of the human body we must create the life of the human soul . From it you create the logic of action , you create the inner line , but give it form externally . If you go through three- four acts ...
Page 140
... human body , seen solely from the point of view of its effect on the stage - as we have done with stage setting . An object becomes plastic for our eyes only by the light that strikes it - and its plasticity cannot be artistically ...
... human body , seen solely from the point of view of its effect on the stage - as we have done with stage setting . An object becomes plastic for our eyes only by the light that strikes it - and its plasticity cannot be artistically ...
Page 426
... human values gaining more attention than the poetic - which is folly , for the poetic values have in the theater the power to create an experience of sublime human ecstasy , and are unquestionably more important . But , conversely ...
... human values gaining more attention than the poetic - which is folly , for the poetic values have in the theater the power to create an experience of sublime human ecstasy , and are unquestionably more important . But , conversely ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words