Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 165
... imagination , or to dream as he does when listening to music . And yet the spectator possesses such an ability . In ... imagination . There- fore a work of art must constantly arouse the imagination , not just arouse , but activate ...
... imagination , or to dream as he does when listening to music . And yet the spectator possesses such an ability . In ... imagination . There- fore a work of art must constantly arouse the imagination , not just arouse , but activate ...
Page 230
... imagination , often rivals the leader of a cotillion . So true is that that we can say that the text of a classic or literary play is written for the audience , the text of the other kind for the actors and the director . The natural ...
... imagination , often rivals the leader of a cotillion . So true is that that we can say that the text of a classic or literary play is written for the audience , the text of the other kind for the actors and the director . The natural ...
Page 422
... imagination is completely open . If , as in Our Town , it finds the curtain up , the stage bare , then the initial ... imagination , nor will it have the thrill of yielding to a continually imaginative and convincing stage illusion ...
... imagination is completely open . If , as in Our Town , it finds the curtain up , the stage bare , then the initial ... imagination , nor will it have the thrill of yielding to a continually imaginative and convincing stage illusion ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words