Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 86
... line . For example , an actor moving from forward right to left forward should , by imperceptible and subtle means , break the straight line , not the best on the stage , by moving on a diagonal . If three or more actors play a scene ...
... line . For example , an actor moving from forward right to left forward should , by imperceptible and subtle means , break the straight line , not the best on the stage , by moving on a diagonal . If three or more actors play a scene ...
Page 392
... lines . They will thus be brought slap up against the problem , not of phrasing a line , pitching the voice , or finding a gesture , but of how you act a person who is really trying to beg a favor . Or she will improvise an illustrative ...
... lines . They will thus be brought slap up against the problem , not of phrasing a line , pitching the voice , or finding a gesture , but of how you act a person who is really trying to beg a favor . Or she will improvise an illustrative ...
Page 407
... lines and on the lines , never in between the lines . " I do not think Troilus and Cressida is made easier for actors to interpret ( or for the audience to follow ) by directing it as a 1913 Ger- man operetta , nor do I approve of the ...
... lines and on the lines , never in between the lines . " I do not think Troilus and Cressida is made easier for actors to interpret ( or for the audience to follow ) by directing it as a 1913 Ger- man operetta , nor do I approve of the ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words