Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
From inside the book
Results 1-3 of 35
Page 49
... live . " How did Reinhardt make his plays live in the absence of some accepted idea of what the theater is and does , in the absence of a point of view shared by dramatist , director , and audience ? The slogan " The theater belongs to ...
... live . " How did Reinhardt make his plays live in the absence of some accepted idea of what the theater is and does , in the absence of a point of view shared by dramatist , director , and audience ? The slogan " The theater belongs to ...
Page 373
... live for Stanley's pleasures . So she is dependent on Stanley's least whim . But this can last only as long as Stanley wants her . And secondly and chiefly- Stella herself cannot live narcotized forever . There is more to her . She ...
... live for Stanley's pleasures . So she is dependent on Stanley's least whim . But this can last only as long as Stanley wants her . And secondly and chiefly- Stella herself cannot live narcotized forever . There is more to her . She ...
Page 385
... live and love . The environment teaches the child through its tendency to imitate , its capacity to be formed un- consciously . The child's imitation is a species of attachment : hence the child ap- pears to be " loving . " It loves to ...
... live and love . The environment teaches the child through its tendency to imitate , its capacity to be formed un- consciously . The child's imitation is a species of attachment : hence the child ap- pears to be " loving . " It loves to ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
28 other sections not shown
Other editions - View all
Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words