Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
From inside the book
Results 1-3 of 89
Page vii
... modern stagecraft . By trans- forming a theater ridden by Victorian convention into a dynamic modern medium , they aimed at nothing less than the reinstatement of a meaningful institution in which they could give creative form to their ...
... modern stagecraft . By trans- forming a theater ridden by Victorian convention into a dynamic modern medium , they aimed at nothing less than the reinstatement of a meaningful institution in which they could give creative form to their ...
Page 107
... modern style of presentation . To present the classics in a classical manner - is that really possible ? As far as ... modern in their day , the latter modern in our day ; and when Frau Crelinger and Frau Jachmann played Antigone with ...
... modern style of presentation . To present the classics in a classical manner - is that really possible ? As far as ... modern in their day , the latter modern in our day ; and when Frau Crelinger and Frau Jachmann played Antigone with ...
Page 453
... Modern Drama . New York : D. Appleton - Century , 1947 . Cole , Toby , editor : Playwrights on Playwrighting . New York : Hill and Wang , 1960 . Cole , Toby , and Helen Krich Chinoy , editors : Actors on Acting . New York : Crown ...
... Modern Drama . New York : D. Appleton - Century , 1947 . Cole , Toby , editor : Playwrights on Playwrighting . New York : Hill and Wang , 1960 . Cole , Toby , and Helen Krich Chinoy , editors : Actors on Acting . New York : Crown ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
28 other sections not shown
Other editions - View all
Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words