Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 167
... mood ; without this mood , or atmosphere , the theater of the Meiningers would have perished long ago . But the development of the Natur- alistic Theater was not aided by this new mood originating from Chekhov's plays . The performance ...
... mood ; without this mood , or atmosphere , the theater of the Meiningers would have perished long ago . But the development of the Natur- alistic Theater was not aided by this new mood originating from Chekhov's plays . The performance ...
Page 168
... Mood became its real character and was not a mask borrowed from the Meiningen players . That the Art Theater could under one roof shelter the Naturalistic Theater and the Theater of Mood was due , I am convinced , to A. P. Chekhov , who ...
... Mood became its real character and was not a mask borrowed from the Meiningen players . That the Art Theater could under one roof shelter the Naturalistic Theater and the Theater of Mood was due , I am convinced , to A. P. Chekhov , who ...
Page 186
... mood ? Isn't this a theatrical achievement ? VAKHTANGOV : No , there should be no moods in the theater . There should be pure joy and no moods . Altogether there is no such thing as theatrical moods . When you look at a naturalistic ...
... mood ? Isn't this a theatrical achievement ? VAKHTANGOV : No , there should be no moods in the theater . There should be pure joy and no moods . Altogether there is no such thing as theatrical moods . When you look at a naturalistic ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words