Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 25
... performance and give it unity as an interpretation by complete control of every mo- ment of it ; the interpretive value of the smallest details of lighting , costuming , make - up , stage setting ; the immense discipline and the degree ...
... performance and give it unity as an interpretation by complete control of every mo- ment of it ; the interpretive value of the smallest details of lighting , costuming , make - up , stage setting ; the immense discipline and the degree ...
Page 244
... performance is occasioned by an incident which is open to more than one interpretation , which in one form or an- other can be repeated , and which is not yet a closed book , but which will have consequences . Hence our judgment of it ...
... performance is occasioned by an incident which is open to more than one interpretation , which in one form or an- other can be repeated , and which is not yet a closed book , but which will have consequences . Hence our judgment of it ...
Page 256
... performance than he would under another conductor , but a better performance than he knew he could give . That is not got out of them by instruction ; it is a process of psychic evocation . Pre- cisely the same thing holds good for the ...
... performance than he would under another conductor , but a better performance than he knew he could give . That is not got out of them by instruction ; it is a process of psychic evocation . Pre- cisely the same thing holds good for the ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words