Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 34
... production notes ; how and where , in what way a part had to be interpreted and the playwright's stage directions were carried out , what kind of inflec- tions the actor had to use , how he had to move about and act , and when and how ...
... production notes ; how and where , in what way a part had to be interpreted and the playwright's stage directions were carried out , what kind of inflec- tions the actor had to use , how he had to move about and act , and when and how ...
Page 38
... production . But his type of facsimile realism was a manner of stage production rather than a thoroughgoing vision . For that reason , perhaps , it satisfied the popular taste for photographic effects , but it had lost its rationale as ...
... production . But his type of facsimile realism was a manner of stage production rather than a thoroughgoing vision . For that reason , perhaps , it satisfied the popular taste for photographic effects , but it had lost its rationale as ...
Page 179
... production of a play from an old theater , I failed to mention one possible exception . In the production of a play from the old theater , it is not at all necessary to subordinate the staging to methods of archaeology . In the matter ...
... production of a play from an old theater , I failed to mention one possible exception . In the production of a play from the old theater , it is not at all necessary to subordinate the staging to methods of archaeology . In the matter ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words