Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 119
... régisseur is a triple - faced creature : 1. the régisseur - interpreter ; he instructs how to play ; so that it is possible to call him the régisseur - actor or the régisseur - pedagogue ; 2. the régisseur - mirror , reflecting the ...
... régisseur is a triple - faced creature : 1. the régisseur - interpreter ; he instructs how to play ; so that it is possible to call him the régisseur - actor or the régisseur - pedagogue ; 2. the régisseur - mirror , reflecting the ...
Page 120
... régisseur and the actor . Is it necessary to say that for this the régisseur should possess the potentiality of an actor ? Essentially , it should be said , he ought to be in a profound sense an actor of diverse parts . And if the ...
... régisseur and the actor . Is it necessary to say that for this the régisseur should possess the potentiality of an actor ? Essentially , it should be said , he ought to be in a profound sense an actor of diverse parts . And if the ...
Page 123
... régisseur , the author must also be lost in the individuality of the actor . For in the end , when you watch a performance you must forget not only the régisseur , you must forget even the author ; you must yield wholly to the actor ...
... régisseur , the author must also be lost in the individuality of the actor . For in the end , when you watch a performance you must forget not only the régisseur , you must forget even the author ; you must yield wholly to the actor ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words