Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 113
... role would be created largely unconsciously . Every great objective destroys and absorbs in itself all the preceding ... role and the role is one with him . But heaven forbid that the image be molded when the actor is not yet warm , not ...
... role would be created largely unconsciously . Every great objective destroys and absorbs in itself all the preceding ... role and the role is one with him . But heaven forbid that the image be molded when the actor is not yet warm , not ...
Page 114
... role - I would not like to spoil it - what given circumstances do I still lack to breathe more life into the role ? ” I. Y. SUDAKOV : To be ready to mount the stage how many of these given circumstances does he need ? STANISLAVSKY : He ...
... role - I would not like to spoil it - what given circumstances do I still lack to breathe more life into the role ? ” I. Y. SUDAKOV : To be ready to mount the stage how many of these given circumstances does he need ? STANISLAVSKY : He ...
Page 115
... role . The given circumstances are from the role . You cannot tell where you are and where the role is . There is complete amalgamation . And that is the moment of unity . . . . SUDAKOV : You follow the line of the play . STANISLAVSKY ...
... role . The given circumstances are from the role . You cannot tell where you are and where the role is . There is complete amalgamation . And that is the moment of unity . . . . SUDAKOV : You follow the line of the play . STANISLAVSKY ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words