Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
From inside the book
Results 1-3 of 92
Page 189
... scene of The Dybbuk we had to insert a small scene which would justify an interval . It was necessary for the audience to believe that the orchestra was successful in find- ing the bridegroom , otherwise it would appear as if the ...
... scene of The Dybbuk we had to insert a small scene which would justify an interval . It was necessary for the audience to believe that the orchestra was successful in find- ing the bridegroom , otherwise it would appear as if the ...
Page 249
... scene . and one has decided that the scene must be played lightly and forc- ibly , and the other person takes a different view of the scene and feels that it must be managed in a very dark and very black way with long pauses . It is the ...
... scene . and one has decided that the scene must be played lightly and forc- ibly , and the other person takes a different view of the scene and feels that it must be managed in a very dark and very black way with long pauses . It is the ...
Page 336
... SCENE " The drum scene excited the audience in a special manner . This was sometimes explained by the fact that this is the most dramatic scene of the play , and that the audience preferred the dramatic to the epic . Actually , Epic ...
... SCENE " The drum scene excited the audience in a special manner . This was sometimes explained by the fact that this is the most dramatic scene of the play , and that the audience preferred the dramatic to the epic . Actually , Epic ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
28 other sections not shown
Other editions - View all
Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words