Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 25
... scenic documentation of reality sustained theater in an era whose “ form and pressure " were becoming more and more difficult to assess . While production did shape the stage arts into a complex and flexible medium , the attitude of the ...
... scenic documentation of reality sustained theater in an era whose “ form and pressure " were becoming more and more difficult to assess . While production did shape the stage arts into a complex and flexible medium , the attitude of the ...
Page 41
... scenic production in order to cre- ate an artistic synthesis , reanimate everything under his control at the expense of the actor , who must eventually be dominated . What- ever he does will to a great extent depend upon his individual ...
... scenic production in order to cre- ate an artistic synthesis , reanimate everything under his control at the expense of the actor , who must eventually be dominated . What- ever he does will to a great extent depend upon his individual ...
Page 126
... scenic artist proceeds to make a drawing of the scenes , following my crude sketches , and thus we reach a definite starting point . In due course of time — it may be a week or a month — the scenic artist will have constructed the ...
... scenic artist proceeds to make a drawing of the scenes , following my crude sketches , and thus we reach a definite starting point . In due course of time — it may be a week or a month — the scenic artist will have constructed the ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words