Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 269
... ( script , set , acting ) above the others ? A. Can anything be set above script and actors ? I'm very much afraid , though , that those who have " set - itis , " as others have tonsil- litis , would give a different answer . Q. Do you ...
... ( script , set , acting ) above the others ? A. Can anything be set above script and actors ? I'm very much afraid , though , that those who have " set - itis , " as others have tonsil- litis , would give a different answer . Q. Do you ...
Page 391
... script were introduced , although some of us never knew which parts we were playing until halfway through the rehearsals . The in- teresting thing was that when she gave us the scripts we found that many of the situations we had ...
... script were introduced , although some of us never knew which parts we were playing until halfway through the rehearsals . The in- teresting thing was that when she gave us the scripts we found that many of the situations we had ...
Page 435
... script . The script is buried under piles of hokum with bicycles or six - shooters or bustles . Or some poor actor is made to look terribly silly spouting Elizabethan verse while dressed in a very decent dinner jacket . . . . . . I ...
... script . The script is buried under piles of hokum with bicycles or six - shooters or bustles . Or some poor actor is made to look terribly silly spouting Elizabethan verse while dressed in a very decent dinner jacket . . . . . . I ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words