Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 36
... technique , illustrated in the following statement in David Magarshack's biog- raphy , which discusses in some detail changes in Stanislavsky's methods : " Before , a producer planned his mises en scène and the nature of the inner ...
... technique , illustrated in the following statement in David Magarshack's biog- raphy , which discusses in some detail changes in Stanislavsky's methods : " Before , a producer planned his mises en scène and the nature of the inner ...
Page 170
... technique ; a painter can begin a picture only after technique has been mastered . Not only the director but all those listening made suggestions . This work was aimed at finding how the author " sounded " best . When in this collective ...
... technique ; a painter can begin a picture only after technique has been mastered . Not only the director but all those listening made suggestions . This work was aimed at finding how the author " sounded " best . When in this collective ...
Page 172
... technique and to follow accurately the dictates of a conduc- tor . Like a symphony orchestra , the " triangular theater " must admit actors with a less individualistic virtuoso technique . In the " straight theater " the director takes ...
... technique and to follow accurately the dictates of a conduc- tor . Like a symphony orchestra , the " triangular theater " must admit actors with a less individualistic virtuoso technique . In the " straight theater " the director takes ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words