Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 53
... theatrical devices of light , color , mass movement , and music . Huntly Carter asked of Reinhardt's production of Oedipus : " If Reinhardt is not giving us Greek drama , what is he giving us ? The reply is Reinhardtism — an essence of ...
... theatrical devices of light , color , mass movement , and music . Huntly Carter asked of Reinhardt's production of Oedipus : " If Reinhardt is not giving us Greek drama , what is he giving us ? The reply is Reinhardtism — an essence of ...
Page 57
... theatrical experiments approach the theater of antiquity . . . . The directors of our new experimental stages are working to create a Symbolic Theater in order to reintroduce a more unified theater . " Then unique social circumstances ...
... theatrical experiments approach the theater of antiquity . . . . The directors of our new experimental stages are working to create a Symbolic Theater in order to reintroduce a more unified theater . " Then unique social circumstances ...
Page 186
... theatrical means found for Chekhov's plays . K. I. KOTLUBAI : And what is a mood ? Isn't this a theatrical achievement ? VAKHTANGOV : No , there should be no moods in the theater . There should be pure joy and no moods . Altogether ...
... theatrical means found for Chekhov's plays . K. I. KOTLUBAI : And what is a mood ? Isn't this a theatrical achievement ? VAKHTANGOV : No , there should be no moods in the theater . There should be pure joy and no moods . Altogether ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words