Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 166
... whole is glued together again . This piecing together of the whole from its parts is called the art of the director , but I think the analytical work of the naturalist - director , this pasting together of the poet's , the actor's , the ...
... whole is glued together again . This piecing together of the whole from its parts is called the art of the director , but I think the analytical work of the naturalist - director , this pasting together of the poet's , the actor's , the ...
Page 195
... whole affair will collapse in apparent and most disappointing back - slidings for at least a week as far as the long parts are concerned , because in the first agony of trying to remember the words everything else will be lost . You ...
... whole affair will collapse in apparent and most disappointing back - slidings for at least a week as far as the long parts are concerned , because in the first agony of trying to remember the words everything else will be lost . You ...
Page 212
... whole mental comparing process is to impress upon the auditor that he is in a theater witnessing a very accurate reproduction , only remarkable because it is not real . So the upshot of the realistic effort is further to emphasize the ...
... whole mental comparing process is to impress upon the auditor that he is in a theater witnessing a very accurate reproduction , only remarkable because it is not real . So the upshot of the realistic effort is further to emphasize the ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes Craig create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Jacques Copeau Joan Kattrin Kostilyoff light lines living look Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical art thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words