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SONG.
1.

It was a lover, and his lass,

With a hey, and a ho, and a hey nonino, That o'er the green corn-field did pass

In the spring time, the only pretty rank time, When birds do sing, hey ding a ding, ding; Sweet lovers love the spring.

2.

Between the acres of the rye,

With a hey, and a ho, and a hey nonino,
These pretty country folks would lie,
In spring time, &c.

3.

This carol they began that hour,

With a hey, and a ho, and a hey nonino, How that a life was but a flower,

In spring time, &c.

4.

And therefore take the present time,

With a hey, and a ho, and a hey nonino ;

For love is crowned with the prime

In spring time, &c.

Touch. Truly, young gentleman, though there was no greater matter in the ditty, yet the note was very untuneable.

1 Page. You are deceived, sir; we kept time, we lost not our time.

Touch. By my troth, yes; I count it but time lost to hear such a foolish song. God be with you; and God mend your voices!-Come, Audrey.

SCENE IV.

Another Part of the Forest.

[Exe.

Enter Duke senior, AMIENS, JAQUES, ORLANDO, OLIVER, and CELIA.

Duke S. Dost thou believe, Orlando, that the boy

Can do all this that he hath promised?

Orla. I sometimes do believe, and sometimes do not;

As those that fear they hope, and know they fear.

Enter ROSALIND, SILVIUS, and PHEBE.

Ros. Patience, once more, whiles our compact is urg'd:

You say, if I bring in your Rosalind,
You will bestow her on Orlando here.

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[To the Duke.

Duke S. That would I, had I kingdoms to give with her. Ros. And you say, you will have her, when I bring

her?

[TO ORLANDO. Orla. That would I, were I of all kingdoms king.

Ros. You say, you'll marry me, if I be willing?

[TO PHEBE.

Phe. That will I, should I die the hour after.
Ros. But, if you do refuse to marry me,
You'll give yourself to this most faithful shepherd?
Phe. So is the bargain.

Ros. You say, that you'll have Phebe, if she will?

[TO SILVIUS. Sil. Though to have her and death were both one

thing.

Ros. I have promis'd to make all this matter even. Keep you your word, O duke, to give your daughter;— You yours, Orlando, to receive his daughter :Keep your word, Phebe, that you'll marry me; Or else, refusing me, to wed this shepherd :Keep your word, Silvius, that you'll marry her, If she refuse me :-and from hence I go, To make these doubts all even.

Exe. Ros. and CEL.

Duke S. I do remember in this shepherd-boy
Some lively touches of my daughter's favour.

Orla. My lord, the first time that I ever saw him,
Methought he was a brother to your daughter
But, my good lord, this boy is forest-born;
And hath been tutor'd in the rudiments
Of many desperate studies by his uncle,
Whom he reports to be a great magician,
Obscured in the circle of this forest.

Enter TOUCHSTONE and AUDREY.

Jaq. There is, sure, another flood toward, and these couples are coming to the ark! Here comes a pair o very strange beasts, which in all tongues are called fools. Touch. Salutation and greeting to you all!

Jaq. Good my lord, bid him welcome; This is the motley-minded gentleman, that I have so often met in the forest: he hath been a courties, he swears.

Touch. If any man doubt that. let him put me to my purgation. I have trod a measure; I have flattered a

lady; I have been politic with my friend, smooth with mine enemy; I have undone three tailors; I have had four quarrels, and like to have fought one.

Jaq. And how was that ta'en up?

Touch. 'Faith, we met, and found the quarrel was upon the seventh cause.

Jaq. How seventh cause?-Good my lord, like this fellow.

Duke S. I like him very well.

I

Touch. God'ild you, sir; I desire you of the like. press in here, sir, amongst the rest of the country copulatives, to swear, and to forswear; according as marriage binds, and blood breaks :-A poor virgin, sir, an ill-favoured thing, sir, but mine ɔwn; a poor humour of mine, sir, to take that that no man else will: Rich honesty dwells like a miser, sir, in a poor-house; as your pearl, in your foul oyster.

Duke S. By my faith, he is very swift and sententious. Touch. According to the fool's bolt, sir, and such dulcet diseases.

Jaq. But, for the seventh cause; how did you find the quarrel on the seventh cause?

Touch. Upon a lie seven times removed;-Bear your body more seeming, Audrey :-as thus, sir. I did dislike the cut of a certain courtier's beard; he sent me word, if I said his beard was not cut well, he was in the mind it was: This is called the Retort courteous. If I sent him word again, it was not well cut, he would send me word, he cut it to please himself: This is called the Quip modest. If again, it was not well cut, he disabled my judgment: This is call'd the Reply churlish. If again, it was not well cut, he would answer, I spake not true : This is call'd the Reproof valiant. If again, it was not well cut, he would say, I lie: This is called the Countercheck quarrelsome: and so to the Lie circumstantial, and the Lie direct.

Jaq. And how oft did you say, his beard was not well cut?

Touch. I durst go no further than the Lie circumstantial, nor he durst not give me the Lie direct; and so we measured swords, and parted.

Jaq. Can you nominate in order now the degrees of the lie?

Touch. O sir, we quarrel in print, by the book; as you have books for good manners: I will name you the degrees. The first, the Retort courteous; the second, the Quip modest; the third, the Reply churlish; the fourth, the Reproof valiant; the fifth, the Countercheck quarrelsome; the sixth, the Lie with circumstance; the seventh, the Lie direct. All these you may avoid, but the Lie direct; and you may avoid that too, with an If. I knew when seven justices could not take up a quarrel; but when the parties were met themselves, one of them thought but of an If, as If you said so, then I said so; and they shook hands, and swore brothers. Your If is the only peace-maker; much virtue in If.

Jaq. Is not this a rare fellow, my lord? he's as good at any thing, and yet a fool.

Duke S. He uses his folly like a stalking-horse, and under the presentation of that, he shoots his wit.

Enter HYMEN, leading ROSALIND in woman's clothes; and
CELIA. Still Music.

Hym. Then is there mirth in heaven,
When earthly things made even,
Atone together.

Good duke, receive thy daughter,
Hymen from heaven brought her,
Yea, brought her hither;

That thou might'st join her hand with his,
Whose heart within her bosom is.

[6] The poet has, in this scene, rallied the mode of formal duelling, then so prevalent, with the highest humour and address: nor could he have treated it with a happier cortempt, than by making his Clown so knowing in the forms and preliminaries of it. The particular book here alluded to is a very ridiculous treatise of one Vincentio Salviolo, entitled, Of Honour and honourable Quarrels, in quarto, printed by Wolf, 1594. The first part of this tract he entitles, A discourse most necessary for all Gentlemen that have in regard their Honours, touching the giving and receiv ing the Lie, whereupon the Duello and the Combat in divers Forms doth ensue; and many other Inconveniences, for lack only of true Knowledge of Honour, and the right Understanding of Words, which here is set down. The contents of the several chapters are as follows:---I. What the Reason is that the Party unto whom the Lie is given ought to become Challenger, and of the Nature of Lies. II. Of the Manner and Diversity of Lies. III. Of Lies certain, [or direct.] IV. Of conditional Lies. [or the lie circumstantial.] V. Of the Lie in general. VI. Of the Lie in particular. VII. Of foolish Lies. VIII. A Conclusion touching the wresting or returning back of the Lie, [or the countercheck quarrelsome.] In the chapter of conditional Lies, speaking of the particle if, he says, "-Conditional lies be such as are given conditionally, as if a man should say or write these wordes:-if thou hast said that I have offered my lord abuse, thou liest; or if thou sayest so hereafter thou shalt lie. Of these kind of lies, given in this manner, often arise much contention in wordes,whereof no sure conclusion can arise." By which he means, they cannot proceed

Ros. To you I give myself, for I am yours.

[To Duke S. [TO ORLA.

To you I give myself, for I am yours. Duke S. If there be truth in sight, you are my daughter.

Orla. If there be truth in sight, you are my
Phe. If sight and shape be true,

Why then, my love adieu !

Ros. I'll have no father, if you be not he:
-I'll have no husband, if you be not he :-
Nor ne'er wed woman, if you be not she.

Hym. Peace, ho! I bar confusion :
'Tis I must make conclusion

Of these most strange events:
Here's eight that must take hands,
To join in Hymen's bands,

If truth holds true contents.

You and you no cross shall part:

Rosalind.

[To Duke S. [TO ORLA. [TO PHEBE.

[To ORLANDO and Rosalind.

You and you are heart in heart:

[TO OLIVER and CELIA.

:

[TO PHEBE.

[To Tou. and Aud.

You to his love must accord,
Or have a woman to your lord :-
You and you are sure together,
As the winter to foul weather.
Whiles a wedlock-hymn we sing,
Feed yourselves with questioning;
That reason wonder may diminish,
How thus we met, and these things finish.

to cut one another's throat, while there is an if between. Which is the reason of Shakespeare making the Clown say, "I knew when seven justices could not make up a quarrel: but when the parties were met themselves, one of them thought but of an if; as, if you said so, then I said so, and they shook hands, and swore brothers. Your if is the only peace-maker; much virtue in if" Caranza was another of these authentic authors upon the Duello. Fletcher, in his last Act of Love's Pilgrimage, ridicules him with much humour. WARBURTON.

[7] One of these books I have. It is entitled, The Boke of Nurture, or Schole of good Manners, for Men, Servants, and Children, with stans puer ad mensam; 12mo. black letter, without date. STEEVENS.

Another is, Galateo of Maister John Casa, Archbishop of Benevento; or rather, a Treatise of the Manners and Behaviours it behoveth a Man to use and eschewe in his familiar Conversation. A work very necessary and profitable for all Gentlemen or other; translated from the Italian, by Robert Peterson, 4to. 1576. REED. [8] Rosalind is imagined by the rest of the company to be brought by enchantment, and is therefore introduced by a supposed aerial being in the character of Hymen. JOHNSON.

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