Modern Art and Modernism: A Critical Anthology

abstract abstract art abstract expressionism abstract expressionists aesthetic aesthetic emotion aesthetic experience art history artist aspect avant-garde Baudelaire beauty become bourgeois Braque Breton Brittany canvas century Cézanne Clement Greenberg cognitive colour concept contemporary contrasts costume Courbet criticism Cubism culture decorative Degas Edouard Manet effect elements example exhibition expression expressionist fact feeling flat formal Gauguin Gogh human ideas illusion imaginative Impressionism kind laundresses Léger light look material matter means Modernist modernist painting movement nature never non-objective nude object Olympia painter Paris Picasso pictorial picture plane political Post-Impressionism Post-Impressionist primitive problem produced pure question realistic reality relation representation reproduce revolutionary Roger Fry Salon sculpture sensation sense sexual significant social space spiritual stripe structure style surface symbol theory things tion tradition trompe-l'oeil truth Vincent van Gogh vision visual ideology whole woman women word